OUT WEST #20

Osprey, Lamar Valley, Yellowstone National Park, Wyoming

It is always exciting to see a nest with a raptor on it, like this Osprey, especially if we can be on eye level with the bird. The nest site was across a narrow part of the valley, not far from the road and a pull out parking lot. Other people stopped and took pictures but the bird seemed not be bothered by it. The Osprey was eating but liftet its head from time to time. The problem here in the Lamar Valley was the distance. I had the camera in DX mode, which narrows the angle of view for the 600 mm lens to the equivalent of a 900 mm lens but at the end still cropped the photo to make it work. The details and sharpness suffer but I still like the environmental, story telling aspect of the picture.

NATURE CLICKS #315 - NORTHERN CARDINAL

Male Northern Cardinal

The Northern Cardinals flock together in the winter and during the early morning or after sunset we can count about twenty visiting our bird feeders. It was bitter cold again today and so we see them even a lot more during the day. Cardinals are very shy and it is not easy to get close. Other birds will tolerate my short presence out in the open and still visit the feeders but the cardinals just sat in the trees and waited until I went back in the house to warm up my fingers.

I used “quick crop”, the DX mode in the Nikon D750, because I wasn’t able to get closer. The low sun delivered a nice light from the side and being fast was key for making the click.

NATURE CLICKS #288 - FOSTER'S TERN

Nikon D300s, Sigma 50-500mm / f4.5-6.3 APO DG HSM

Our dog Cooper and I took a kayak trip on the Mississippi River this evening again and it felt once more like entering “wildlife paradise”. What else can you call it, if you spot during a one and a half hour tour four Bald Eagles, three Great Blue Herons, numerous gulls, pelicans, geese, ducks, blackbirds, muskrats, and turtles? This is all amazing and wonderful in the warm light of the evening sun, even if we have seen all these species many times before. 

To make a great trip perfect I discovered five Foster’s Terns sitting on logs stranded in the mud of a river bank. I have never seen Foster’s Terns here in Eastern Iowa before (only in the Bolsa Chica Wetlands in California). They were not far from a group of Ring-billed Gulls. While the gulls took off when we got closer, the terns just stayed, even when we drifted by within six feet distance. At that time the D300s was still in a waterproof bag behind my seat but the dauntless behavior of the terns made me paddling around them into a position where the light was in my favor. I took my old camera on the water and its DX sensor made for a 630 mm equivalent, with a focal length of 420 mm set at the Sigma 50-500.

I wrote before how difficult it can be to shoot with the long lens handhold from a kayak, especially if it is windy as it was this evening. I shot several bursts in continuous shooting mode and almost 200 clicks later I still wasn’t sure if I nailed it. Well, the keeper rate wasn’t too bad and finally I had quite a few images to choose from.

The photos were made on the Mississippi, just outside of the Mud Lake area, north of Dubuque, Iowa. I have seen and photographed Caspian Terns in this area last year but this is the first time that I had a sighting of a Foster’s Tern. There is still a little doubt about my identification of the species. For instance the Common Tern looks very similar, but after checking several sources I believe these were Foster’s Terns. If you are a birder or nature friend who can confirm this or have a better suggestion, I would love to hear from you.

THE LITTLE CHANGE IN GESTURE

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM, tripod, gimbal head, SB 800 speed light

I made five clicks for this Tree Swallow last weekend in the wetlands,. None of them is really bad but I chose this one for the blog today. It is this little gesture of rounding the chest, tilting the head, and somehow looking into the lens that was pointed at it that made the difference for me. The photo was cropped in post from over 6k pixels on the long side down to a little more than 4k. This is about the same perspective I would have gotten with my old DX-camera, the Nikon D300s or by shooting in DX mode on the D750. I really try to shoot in FX mode whenever possible, means full frame, but in this matter I just haven’t been able to get closer to my subject. So what’s the deal? I can’t print it on paper at least 20 inch long without loss of detail. It’s OK for the blog here, but it will not stand in the world of high quality images. Does it matter? It does for me, because I like the photo because of the gesture the Tree Swallow shows off. So what’s the remedy? I need to go out and try it again…

PRACTICE WITH PAINTED TURTLES

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM, tripod, gimbal head, DX-crop mode

A Painted Turtle is a great subject to practice wildlife shooting or to test new equipment, like I do right now with the new Nikon D750. If the turtles move, they move slowly (with one exception I will talk about in a minute), or they don’t move at all. The yellow lines on its head provide good contrast to lock on focus, which is important for a sharp image. And as a bonus, the turtles are always good for a unique gesture. The first one was not my sharpest shot of this critter but the gesture with the open mouth makes all the difference for me. It looks like the turtle is yawning, but what you don’t see in the first photo is a second turtle, just climbing up the log on the other end. Well, the meet and and greet on the log went well and after some butt sniffing (yes they do that like dogs!) both finally ended up taking a sun bath together.

You may think taking these shot is much easier than photograph a bird at the same distance, but this is not true. If the Painted Turtle senses danger, because you walk right up to them, they will drop into the water as fast as a bird will take off. The good thing is, most of the time, especially when the sun is shining, they will climb back up on the log again after a few minutes. The short break while they are in the water allows to establish a good shooting position near the log. If you are carefully and make your own moves as slow as a turtle  ;-) , they may accept your presence and you get a second chance to make the click.

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM, tripod, gimbal head, FX-mode

I switched back and forth between FX and DX crop mode on the D750 while shooting the action as just described. Full frame (FX mode) served very well to make the images with both turtles on the log. For isolating the turtle on the left, like in the first image, I used the DX crop mode. Back in the days of shooting slides on film, rule #1 for having a keeper was ‘Get it right in camera’. I enjoy photography as a form of art and as a craft. Get it right in camera is part of the craft.

WILDLIFE AND A LARGER SENSOR

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM, tripod, gimbal head

A filled travel schedule and business meetings in between prevented me from doing serious shooting during the last couple days again. Feels like torture when you have a new camera and no time to work with it… ;-)

This shot of the Great Horned Owl juvenile is from last Friday and pretty much straight out of camera, except for the usual sharpening process. By using the full size of the 24 MP sensor in FX-mode on the NIKON D750 a 500 mm focal length is just what it is, 500 mm, like in the days of film photography. However, the camera can be used in two different crop modes and the DX-mode with a crop factor of 1.5 provides the same angle of view for a particular lens as it is on my NIKON 300s DX camera. With other words you have, kind of, the equivalent of 750 mm focal length. And here lies the big challenge that comes with the change to a full frame camera. You have to get physically closer to your subject in order to use the full potential of the sensor. As mentioned before this is not always possible, like with the owl high up in the nest, but for shooting many other critters I just have to get better. That means to learn more about their biology and behavior and invest more patience and time so that finally the wildlife comes to you. Long way to go… :-)

GOING FULL FRAME

I haven’t talked about photography gear in quite some time but today I’m just excited to tell you that a new camera was added to the gear bag. Nikon finally dropped the price of its FX-format camera D750 and my order went out immediately. I had planned to add a full frame DSLR to my bag of tools since a while, with the clear goal in mind to bring my photography to the next level. I don’t buy photography equipment for just the sake of being ”up to date” and I still love my DX-format NIKON D300s. I know that I have pushed its limits, for instance in low light situations. It has produced some results over the years that I’m very happy with, and it will still remain in the shooting bag as a second body that I can quickly use with a different lens.

Although I had a busy travel schedule during the weekend and today (I’m writing this post in a hotel room in Minneapolis) but I had some time last Friday and Sunday to do quite a bit of testing, studying the manual, and just having fun learning everything about the D750.

Today I won’t babble much about what I found so far. After the first six hundred shots on the meter I just think it is an amazing camera and it may take a little time to unleash its full potential. 

Part of my regular job is teaching people how to use new machines and software that comes with them. And therefor it’s no wonder that I’m a strong believer that actually reading and studying the manual is essential to understand the equipment and get the most out of it. Well I have more than 400 pages left… ;-)

All images: NIKON D750