4x WILDLIFE IN AUTUMN


Eastern Chipmunk

With the loss of leaves in the trees we may have quite a bit of dappled light, and that is not always desirable for making a good photo. But if we keep our eyes open, we might be able to use it to our advantage. The light in the fall can be just gorgeous and if a spotlight hits our subject in the picture just right, it adds some drama even to a simple gesture of a bird or critter. Exposing for the highlights is mostly the key for success if we don’t want to blow any colors out. If the part of the animal that is in the shade is a little too dark, we can bring back the shadows in post process easily to overcome the high contrast situation.

During the last couple days I spent some time in our front yard, using the morning light or the still intense power of the sun during the early evening. Four examples are shown today that hopefully underline my approach.

One of our Eastern Chipmunks stopped briefly to check the surroundings for any danger while digging between the leaves for food. I had followed the critter with the lens for a while already and was hoping for a moment like this.

Yellow-rumped Warbler

We still have a few Yellow-rumped Warblers around here, who may have migrated from up north. One of the birds rested briefly on a twig in a Forsythia bush and the light falling through the trees hit the front side of the warbler just right. A little underexposure helped to keep the bright parts of the bird intact, while the shadows on the backside where lifted in post process slightly.

American Goldfinch

The American Goldfinches are pretty much done with their second molt of the year and it is almost complete. Only parts of the males remain still in a bright yellow. You can see that both finches are covered in dappled light. Well, the eyes are clear, have even a catch light from the sun, and the yellow feathers are in great light and this all makes for good storytelling about the season, at least in my books.

American Robin

Very seldom do I post a picture of a bird at a feeder or on the bird bath but I couldn’t resist to make the click of this male American Robin in wonderful Sunday Morning light. Yes, the sun puts some light onto the bird, but it is the reflection from the water and the bowl that holds it that make the colors of this robin just look like at ”mating time in spring”. The exposure was set for the throat of the American Robin but it also rendered the bowl a little too bright, which was an easy fix in post process.

I hope today’s blog post gives the photographers among you some hints for your own fall bird photography and anybody else gets a kick out of the photos as well.

All photos: Nikon Z6II, Nikon NIKKOR Z 600 f/6.3 VR S

CHIPMUNK-OUT-OF-THE-DEN-DAY


Eastern Chipmunk - first appearance this spring

Oh, you never have heard about a ‘Chipmunk-out-of-the den-day’? Ok, it is my invention… 😊 For me spring does not really start until we have seen the Eastern Chipmunk around the house. During the winter, the chipmunk may enter long periods of torpor, but does not truly hibernate. We see the chipmunk very seldom during the winter. Despite we had a mild one this last season we didn’t see this critter at all until today.

With no leaves out yet the light is crispy and clear, even here in the woods, when the sun comes out in April. Yes, we finally saw the sun today! The challenge is the high contrast, even during the last hour before sunset. You got to watch the highlights and make sure they are not blown out in your photo. It is a good time to learn and practice exposure compensation...

TAKING A BREAK


I just thought I let you know I will be out of the country for a little while. I’m not sure if I have much time to post here in the blog while traveling, but the camera goes with me and maybe I find a few interesting things… 😉

THE CHIPMUNK WITH THE D750


Eastern Chipmunk

The Eastern Chipmunks that call our yard and the surrounding timber home are a great subject for testing and learning everything about the new Nikon D750. They are used to my presence and as long as I move slowly they stick around and do what they want to do (mostly eating sunflower seeds dropped from the bird feeders ;-)  ). 

During the first two weeks since I bought the camera I pressed the shutter release button more than 3,000 times already. No, this camera is not more complicated than my beloved Nikon D300s, in fact many functions are identical or very similar, but I like to implement some of the new features into my shooting habits. One of the reasons I chose the D750 is its professional controls. Unfortunately it has some features a pro would probably never use, and neither will I, but it is easy to ignore them. However, this camera allows to control and change all the important settings, like aperture, exposure, exposure compensation, ISO, white balance, focus mode, focus sensors, flash compensation, virtual horizon, and others without taking the eye away from the viewfinder. It lets you customize the way many of the controls and buttons act, and this is where the “fun” starts. It is ok if I miss a shot of a chipmunk or one of the birds that we have here all year long. But how about if you see a bird or critter that is here only once a year and your chance to nail the shot lasts less than two seconds (like with the Scarlet Tanager from yesterday’s blog post)? Well, this is the moment when you don’t want to fiddle with your settings. The technical aspects have to become secondary because composition and background is what matters at this brief moment. If you know and understand the settings you have dialed in while waiting for a shot, it is easy to make a quick adjustment at the camera if the situation requires it. And that’s why I try to practice on a daily base, and it doesn’t matter to me if it is an “ordinary” critter like our chipmunks or squirrels

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM, tripod, gimbal head, SB 800 speed light

The first image is my favorite photo of an Eastern Chipmunk so far. It has everything I wanted. It tells the story about the critter eating in the grass below a bird feeder (nothing exciting but that’s what they do in spring after a long winter). The eye is tack sharp and the settings (1/125 s, f/8, ISO 100, FX mode, no crop) would allow for a large print without any compromise.

The second picture is the result of a situation which unfolded very quickly. While focussing on a bird I suddenly saw the chipmunk climbing up this stick in our flower bed. The flowers were obviously the dessert, because in the following photo one of the blossoms is missing. Turning the camera on tripod into a different direction, refocus, and make an adjustment to flash compensation was all necessary to make the click. The photo was cropped in post on the right hand side, not because I wasn’t close enough, but on the left hand side is a bush that would have knocked off the balance of the composition. Taking out some empty space on the right is a good compromise in my books.