RETAINING VALUE

Lenticular cloud, Owens Valley, California, 2009

The long and dark evenings during winter are the best time to tidy up or reorganize the photo library. While doing this I stumble sometimes over an older picture that may have some potential to be shown to the public. In the fall of 2009, during a trip through the Sierra Nevada in California with some German friends, we explored the Owens Valley and its surroundings. A lenticular cloud was hanging all day long above the area. It was just a matter of finding the right angle of view for integrating it into the landscape.

At this time I was shooting already two years with my first DSLR camera, the beloved Nikon D200. Looking at these old images almost 14 years later makes me aware ones more that I just had started to scratch the surface of photography. Only a couple months earlier I had added the gorgeous Carl Zeiss Distagon T* 2/35 ZF to the camera bag. During this trip I used this lens with its manual focus a lot. The sharpness and rendering of this piece of glass was so much better than what I had owned ever before. I still use it today. Cameras will come and go and become technically obsolete very quickly. A real good lens retains its value much longer.

Nikon D200, Carl Zeiss Distagon T* 2/35 ZF, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head   @ 1/20 s, f/22, ISO 100

COMPARING LENS PERFOMANCE

Swing railroad bridge across the Mississippi between Sabula, Iowa and Savannah, Illinois

One of my last pictures of the railroad bridge across the Mississippi River down in Sabula, Iowa, was a black & white photo, shot with the incredible Zeiss Distagon T* 2/35 ZF lens in March last year (feel free to have a look at that image right here: Sabula Bridge ). This prime lens with manual focus is the best standard I can apply to compare rendition and sharpness between other pieces of glass.

The question I tried to answer was, can the new Nikkor Z 24-70, f/4 S, that came with the Nikon Z6II mirrorless camera, outperformed the old Nikkor 24-120, f/4 AFS, which I traded in for the new lens. Shooting a well known subject, like the Sabula bridge, is my way to find out what can be done in regards of sharpness with a new lens. I looked at the original RAW files and compared them with some shots with the Zeiss 2/35 and also the 24-120 AFS from last year under similar light and weather conditions. And here is the verdict, the Z 24-70 is at least equal to the prime lens and quite a bit better than my old “walk around lens”, the Nikkor 24-120 AFS. This doesn’t make me a better photographer, but it is good to know that the new tool in the camera bag, the stunning Nikon Nikkor Z 24-70 f/4 S, is capable to deliver results that at the end help to become one.

Nikon Z6II, Nikkor Z 24-70, f/4 S,   @ 57 mm, 1/125 s, f/16, ISO 100

WHITE SANDS

White Sands National Park, New Mexico, Sacramento Mountains in the background, Nikon D750 + Carl Zeiss Distagon 35mm f/2 ZF T*

As further south we drove in New Mexico last October as more grew my excitement about a destination we had pinpointed on our route. White Sands National Park preserves half of the worlds largest gypsum dunefield, located in the Tularosa Basin, between the San Andres and Sacramento Mountains. It is a fascinating landscape that offers so much for any photographer and nature lover.

Colors in the desert, Nikon D750 + Nikkor 70-200, f/4 , @70 mm

I took only two lenses with me while we walked and hiked in the dunefields during two late afternoon trips in the national park. Most of the time I had the Nikkor 70-200, f/4 on camera. Without switching lenses I was able to make quick decisions between scenes that included the curves and structures of the dunes or detail shots, like solitary trees or yucca plants. The other lens was the Carl Zeiss Distagon 35mm f/2 ZF T*, a manual focus lens that I love to employ in landscapes like White Sands NP because of its excellent sharpness and color rendering. The lens changes were not so critical as in other desert areas we have been before. Compared to other dune types the gypsum dunes remain moist even during a long drought. However, we avoided to go there during a sand storm the day between our two visits. Sand in the gear is bad news!

Dunefield near sunset, White Sands NP, New Mexico, Nikon D750 + Carl Zeiss Distagon 35mm f/2 ZF T*

Soaptree Yucca, Nikon D750 + Nikkor 70-200, f/4 , @130 mm

GORGEOUS FEBRUARY DAY

Nikon D750, Carl Zeiss Distagon T*, 35mm / f2 ZF

I’m glad Joan, dog Cooper, and I went out on a drive along the Mississippi River yesterday. It was soooo nice to have the sun out again for a few hours. Today the sky is covered with a uniform gray overcast again, it snows a little bit, and just makes the “cabin fever” raising again…

During part of the trip we went on the Illinois side of the big river and after the kiss of the polar vortex and now temperatures still below freezing the river is covered with ice for the most part. We explored some new wetlands and discussed the possibilities we would have there during the upcoming warmer seasons. I had all my lenses in the car and decided for the one I had recently most neglected. The Zeiss Distagon T* 2/35 is the only lens I own with nothing but manual focus. Most of the time I rely on autofocus for my photography. Eye sight isn’t getting better with age and I think there is nothing wrong with employing AF and the high tech we pay for if we buy a new lens or camera. However, the sharpness of the Zeiss 2/35 is fantastic but the main reason I love this lens so much is how it reproduces the colors. The snow is hard and crusty right now and I wanted to bring this out in the shot, taken at some backwaters of the Mississippi. The subtle changes of tones on the old melted and re-frozen snow in combination with the long shadows of grass in the mid afternoon sun tell hopefully the story of a gorgeous February day. Still love this lens…