THE TWO ASPECTS


Female Orchard Oriole  --------  

I have mentioned many times before how important the story telling aspect is for me in my wildlife photography. I prefer the environmental picture of an animal over the close up view. There is nothing wrong with a close up view, it is just not my personal preference. How the female Orchard Oriole gleans little insects from underneath the fresh leaves in the light of the morning sun is such an example. The photo is pretty much straight out of camera, no crop, just a slight correction of the white balance. The fall off from the lens around the edges works for this image, so I left it as it is.

On the other hand I love when a photo has an artistic appeal. To be honest, I didn’t realize when I pressed the shutter button for the second photo that the shape of the oriole’s head is perfectly framed by the fork of the cedar branch. To pronounce this effect even more I cropped the picture on top and left hand side and removed a story telling element in the lower right corner. Yes, there was an orange half and the story was actually about how the orioles approach this source of food at our feeders. My final version of this photo the more artistic approach doesn’t need the orange. It works perfectly without it.

In a perfect world both sides, the story telling and the esthetic aspects come together. These are the rare moments because nature isn’t always predictable, but aiming for them will stay on my agenda.

Male Orchard Oriole

WHERE DO YOU WANT TO HEAD WITH YOUR WILDLIFE PHOTOGRAPHY?


Lesser Yellowleg

There are several reasons why I chose this particular photo to tell a little part of the probably long story about spring migration of the Lesser Yellowleg. First, I like the gesture of the bird, looking at the sky for a Bald Eagle that soared above our heads. Second, it is the concept of using negative space, the space that surrounds the bird and that emphasizes the main subject. And third, it is very difficult to find a spot in the Green Island Wetlands that is not cluttered with stumps of old reeds or just mud hills that stick out of the shallow water. It would have been easy to clone out the reed stumps in the upper right corner of the photo, but I think it gives the image a little more dimension.

If you would ask me, where would you like to head with your wildlife photography, I would say, I really like the combination of light and story telling, and I enjoy a claim for artistic expression in a photo. With other words, I don’t care so much for the last detail in an eyeball of a critter, although sharpness is still important, but gesture will play hopefully a bigger role in my future images. I may answer this different sometime in the future, but as of now, this is it, and that’s why I like today’s image…