FOLLOWING THE CURVE (PART 2)

If this looks familiar you must have visited my blog a few days ago. Today I tried the same image as a black and white version. I had this in mind when I took the shot but later at home, in front of the computer screen, the play with the color contrast appealed to me as well. Now, with both versions on hand, I think the monochrome version supports the graphic impact of this photo better. The Z-shaped curve of the clouds and the edge of the field are better pronounced.

As much as I like the relativ new B&W presets in Adobe Lightroom Classic, for the finishing of this image I used the well trusted NIK Silver Efex Pro 2. In Lightroom I started with the same Camera RAW settings as for the color version, opened the photo as a Smart Object in Photoshop, and finally applied NIK Silver Efex Pro 2 as a filter. I still love the way how global and local adjustments interact with each other in any program of the NIK Suite. The final touch was made with a subtle dodging and burning layer in PS, mainly in the lower half of the photo.

FOLLOWING THE CURVE

Farm on a hill with clouds, near Sherrill, Iowa

A couple days ago I mentioned I would share another photo from the “cloud chasing” tour that evening. Quite some time ago I made a mental note about this old farm on a ridge not very far from our home here in eastern Iowa. I have driven by several times over the years and always thought this would make a nice foreground or middle ground for a photo with a dramatic looking sky. Well, this week I had my chance. The lush vegetation makes for a nice color contrast to the clouds in the sky. The curved edge of the field leads the eye to the farm structures and from there the curve continues in the sky. Now I’m thinking about a black and white version of the image…

STORY OF TRANSITION

There are not very many farms left here in the Midwest where the old buildings and farm structures are preserved. Unfortunately beautifully crafted wooden barns, stables, and farm houses have been or will be replaced by simple metal structures, concrete, and plastic siding. This is somehow understandable because the economy of farming dictates many of these changes, but the historic charm will be gone forever.

The farm in this picture has a mixture of old and new buildings and the photographer can still tell the story of transition with his image. Including the bright clouds gives the photo some visual depth. The eye will most likely go to the brightest part of the picture first, but from there it will move through the frame.

Photo: Nikon D750, Nikkor 24-120mm / f4, @46 mm, 1/640 s, f/8, ISO100