WITH A HINT OF FILL FLASH

Male Yellow-rumped Warbler

Every new bird species that arrives here after migration from the south is greeted with cheers. While this year some species have not arrived yet, or at least have not been seen, today a Yellow-rumped Warbler landed right here above the bluffs of the Little Maquoketa Valley this evening.

One of my goals this year is to improve my wildlife photography while using a speed light. I hardly ever use a flash light as the main light source. I’m a strong believer that the ambient, natural light should give a sense of the circumstances when and where the photo was made. And of course, there is always an exception from these wishful ideas if we want to tell our story with a photo.

When we sit on our porch in the evening at this time of the year, the setting sun shines right in our eyes and every bird in the front yard is backlit. To make a click, like the photo above, requires some kind of light from the front. This is when the flash from an off-camera speed light can be used to fill in the shadows and enhance the colors.

I admit, I’m not really good working with a flash light, but today I practiced a lot with the birds that are always here. When I just thought I figured it all out, this beautiful male Yellow-rumped Warbler, in full breeding plumage, landed right in front of me and gave me a minute to work with. As you can see, the warbler is backlit, the background is absolutely gorgeous, but the bird had too much shadow and did not stand out. Well, a little hint of fill-flash can make all the difference…

AT THE BARN SWALLOWS

I had again the pleasure to follow an invitation of my photography friend Kevin this evening for shooting at an old barn he owns at the edge of town. The main attraction is several pairs of Barn Swallows that have their nests under the ceiling and feed their offspring. I heard the young birds when parents arrived with food, but they were obviously still too little and we couldn’t see them. The barn doors are open and the building is surrounded by meadows, grassland, and some weed patches. With other words, there is an abundance of insects and enough food for the little birds.

This location requires a lot of thinking about the light. Shooting in the barn required a flash as the main light source. With the open doors light pours in also from the outside and the question is, how can we use flash and ambient light solely or in combination for telling a story about the swallows and their summer habitat?

The first photo was shot through the open barn door. The swallow sits on an old rusty gate and the only light source is the low sitting sun. The trees behind the meadow are far away and provide a lovely soft background.

This bird sits on another one of the open doors. The grass in the back is in full sunlight and makes for a good background as well. A hint of flash takes care for the dark side of the swallow inside the barn.

Same location as photo #2 but for a brief moment the sun was hidden by a cloud and I chose a much shorter exposure time for the ambient light. The flash doesn’t overpower the bird and with 1/800 s I was able to nail the gesture the Barn Swallow made at that moment.

Kevin had photographed in the barn earlier this week already and today he tried to make a picture of a Barn Swallow with open wings, approaching a resting place. That is quite a challenge! He pre-focussed on a particular spot and waited for his chance but the birds did not use this place as often as earlier this week.

My thanks goes to Kevin for inviting me! I had again a great time!

ON THE ROOF

Downy Woodpeckers

The bad thing is, the big sugar maple right in front of the house is dying, slowly but surely. Half of the canopy is already without leaves and every day another piece of bark or a branch is found in the grass below. We know we need to cut the tree down soon because there is a good chance it may fall onto the house in a storm or strong wind. It will be a sad day, no matter what.

The good thing is, the Downy Woodpeckers took the opportunity, drilled holes in one of the dead branches, and raise their offspring in the tree right now. As you can imagine, we hold the tree cutting for now.

The photographer took the ladder today and climbed onto the roof of the porch. Everything was with me, camera, long lens, tripod , gimbal head, speed light, and flash extender. Even on the roof the nest hole was still a bit higher but I found a gap between the branches to make this photo.

The Downy Woodpeckers are around here all year long and are really used to our presence. Sometimes, if I fill a feeder in the yard, they don’t fly away unless I come in a range of less than 3 feet. Both parents feed the offspring. While one is out to find food, the other one is in the nesting hole and guards it. The chance for a photo is when they have the “changing of the guard”.

Here the female downy arrives and shows the male what she had in her bill. A second later the male would leave the nest and let the female take his place. I was running out of light this evening (did I mention yet that we had another gray day with almost no sun? 😏) and the only way to shoot against the gray sky was to employ some fill flash. I left the ladder in place and maybe this weekend is another chance for some interesting moments.

1/320 s, f/6.3, ISO 400, @600 mm, +1 EV, flash -1.7 EV; with Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM S, Induro GIT 404XL tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, MAGMOD MagBeam flash extender;

FEEDING STORIES - TODAY: WRENS AND HUMMINGBIRDS

I told you a few days ago about the gourd that hangs from our porch and is right now home for the second brood of the House Wrens. The entrance hole faces the house and there is not much light available for taking a picture. To make a few clicks I used the short time when the sun actually appeared in a gap between the trees and sent some light to the backside of the gourd this evening. When the female showed up with food in her bill the light hit her just right. It still needed some fill flash to make this photo work. The Impact Quikbox Soft box does a very good job to soften the light that comes from the flash.

Another way to make a picture that tells the story about feeding the offspring, is to use the brief moment when the adult bird lands on a branch nearby and checks the surrounding before it flies up to the nest under the roof of the porch.

With the very pleasant cooler temperatures at the moment the hummingbirds use the feeders with sugar water very frequently. Some hang from the same wood beam as the gourd with the wren’s nest. I knew that Ruby-throated Hummingbirds also feed on tiny little insects, but making the click while the bird actually snapped at, what appears to be a gnat, was a first one for me.

WOODPECKER OFFSPRING

Young male Downy Woodpecker

We had a bit of rain the last couple days and the air finally cooled down, but I take this any time over the heat and humidity we had recently. However, no matter what kind of weather we have the birds and critters need to feed their offspring. I had some fun this evening standing on the porch behind the camera watching two young Downy Woodpeckers. Sometimes the parents still brought them a seed from the suet feeder but most of the time they tried to figure it out by themselves. They are only a little smaller than the parents but it is the clumsy behavior that reveals who has still to learn the lessons of life.

A little fill flash helped to get the exposure right and bring some colors out because the dark overcast this evening didn’t let much light come through here in the woods.

NATURE CLICKS #359 - DOWNY WOODPECKER

Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM Sports Lens, tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, MAGNETMOD MAGBEAM flash extender -----------------

We had one of these gray and windy winter days that give us the feeling that winter may never end. Not much interesting light today but I wanted to test a new flash extender. One of our five or six Downy Woodpeckers posed nicely for me. 

GREAT LIGHT BUT STILL ADDING SOME MORE

Red-bellied Woodpecker -----------

Winter is back here in eastern Iowa since a couple days. Time to put the best reflector nature provides for us to work. Yep, I’m talking about the fresh snow on the ground. The quality of light becomes very good for bird photography as soon a little sun hits the snow. The reflection from underneath the bird, even if they sit a little higher in a tree, makes the big difference to any other time of the year. In addition I’m testing a new flash extender that made it into my bag of tools. I’m not ready to talk about it today but might be soon. My flash extender of choice was the Better Beamer for many years (click HERE to see how it looks like). So why throwing more light at the subject if the overall conditions are sufficient? “Tree hugging” birds like this young male Red-bellied Woodpecker like to stay quite often on the shady side of the tree. I still can expose halfway correctly but a little hint of flash (and I mean a little hint) will reveal the beauty of all the colors in its feathers.

This is the tree I call “Woodpecker-Tree #1” in our front yard. A suet feeder is nearby and this tree is quite often the starting point for the birds approaching this feeder. The Red-bellied Woodpecker seemed to be in some competition today about the best spot with another woodpecker, a Northern Flicker. As you can see, it was all about display. Catching the colors and gesture was important to me to tell the story with my photo.

NATURE CLICKS #349 - BLACK PHOEBE

Bolsa Chica Ecological Reserve, Huntington Beach, California ----------

The Black Phoebe is the other phoebe that we don’t see in the eastern part of the US (see my post from yesterday). It is a permanent resident in the southwestern states. The area in the ecological reserve where I found this bird doesn’t have any trees and the barbed wire fence was obviously the best perch the phoebe could find to look out for insects. It wasn’t my first sighting but this was the closest I have ever been to a Black Phoebe.

The sun was almost at its highest point when the click was made. A hint of flash helped to overcome the harsh light situation, not much different than shooting a portrait at the beach…

MISSISSIPPI RIVER STORIES 2016 #10 - FOOD ENVY

Two American White Pelicans and about a dozen Double-crested Cormorants seemed to go along with each other very well below dam #11 in the Mississippi River. Both species fished peacefully side by side, the pelicans using their big bill and the cormorants diving for the fish. There wasn’t any problem until one of the cormorants got a pretty good size fish out of the water.

One of the pelicans was obviously struck by food envy and suddenly attacked the cormorant pretty aggressive. Looking at the image a little closer on my screen at home I realized that the pelican had the poor cormorant in its bill and obviously tried to bite him. I’m very happy to catch this moment. As you can see the cormorant got away with its prey…

All images: Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM Sports Lens, tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, Better Beamer flash extender

The photos were made on the Wisconsin side of the river, right below the dam between Dubuque, Iowa and the state of Wisconsin. Usually it is not a good place to shoot in this direction during the afternoon hours because the sun is just across the river. We had some heavy overcast and that muted the sunlight quite a bit. To overcome the gray from above and reflected off the water fill flash was used to reveal the colors of the birds.

AGAINST THE RULES

Canada Geese, Green Isand Wetlands, Iowa

The Hooded Merganser wasn’t the only bird taking care for their offspring last weekend in the Green Island Wetlands. I saw several pairs of Canada Geese with little goslings, mostly between 2 - 4. The female goose incubates the eggs, but other than the mergansers both parents are involved in the care taking for the young ones. Canada Geese mate for life.

This family had just crossed the road in front of me, from one pond into the next lake. I know, butt shots are supposed to be rude but Ansel Adams said already, there are no rules for good photographs, there are only good photographs…

I saw the story in this photo when I made the click. One parent was leading the way, the other one kept an eye on me and made loud warning noises. Fill flash helped again to bring out the colors of the goslings and to overcome the gray of the overcast. There are only a few reflections of the sky on the water and the green of the algae infested water dominates the background. Many things came together in this image and that’s why I like it.

NOT WHAT I WAS LOOKING FOR, BUT…

Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM Sports Lens, tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, Better Beamer flash extender

I haven’t made a single click since two days <sigh>, because an indoor project kept me grounded. However, I have very little regrets, the weather has been really miserable the last couple days.

More birds have arrived here. Our House Wrens sing already since 4/16, the Whip-poor-will was heard the first time during the night of 4/20, and a female Scarlet Tanager landed briefly at a bird feeder on 4/25. That is the earliest we have ever seen a tanager in our woods. Finally the first male Rose-breasted Grosbeak showed up last Thursday, together with two Ruby-crowned Kinglets.

While trying to catch the kinglet this male Northern Cardinal posed for me briefly in a tree nearby. It was already 6:30pm but I still wanted a little bit of daylight in the background. To make this happen I shot this in DX cropping mode at 600 mm (900 mm FX) with 1/80s. The flash is still used as a fill flash, but only to reveal the colors of the cardinal. Sure, I could “nuke” this with 1/250s, and it would be tack-sharp, but the background would have been totally black and the photo would scream nothing but “FLASH!!”

The cardinal is an all-year-around bird here on our bluffs but it was its pose and gesture that make this image work for me.

NATURE CLICKS #318 - BROWN CREEPER

According to my field guides the Brown Creeper is supposed to be around here in eastern Iowa all year long. This photo was made in the Mines of Spain, a mostly wooded recreation area south of Dubuque, Iowa. So far I have photographed this small bird only during winters or in the early spring. And I admit, I still haven’t been able to make a tack sharp image I could be very proud of. The bird blends very well in while creeping along tree trunks, always from the bottom upwards. They are almost always in motion and it is very difficult to lock the focus on. The picture has a little motion blur too, despite a shutter speed of 1/800s and fill flash for bringing out its colors. With other words, the Brown Creeper still remains on my “most wanted” list…

NUTHATCH AND SIGMA 150-600 S LENS TALK

White-breasted Nuthatch, Little Maquoketa River Valley, Iowa

This is a picture I wanted to make since a long time. The White-breasted Nuthatch gave me a little bit of time today at our maple in front of the house to shoot a series of pictures. The fill flash is subtle, just enough to emphasize the colors, and except for the second catch light in the bird’s eye, it is not obvious that flash was even used. The nuthatches are permanent residents in our woods here on the bluffs above the Little Maquoketa River Valley.

I used the Nikon D750 with the SIGMA 150-600, f/5-6.3 DG OS HSM Sports Lens for this photo (picture made @ 600 mm, 1/160s, f/6.3, ISO 250). As more I work with the new lens, as more I fall in love with it. My old SIGMA 50-500 delivered sharp images but it was at its best at an aperture of f/8. I’m very impressed how the new 150-600 S performs already at f/6.3, and I already mentioned in my first article about this lens how much better the bokeh of the new lens is. It’s getting gradually warmer here in the next few days and I hope I have some more opportunities to practice with the SIGMA 150-600 S.

CHANGING TACTIC

Nikon D750, Sigma 50-500mm / f4.5-6.3 APO DG HSM

This weekend Joan and I explored Lake Macbride, which is located between Cedar Rapids and Iowa City. Heavy rain delayed our departure Friday night but we set up our campsite and launched the lake with our kayaks finally Saturday afternoon. This is an 812-acre lake and the park is with 2,180 acres Iowa’s largest state park.

We had some really good bird encounters in the forest and on the lake, for instance a Caspian Tern, Bald Eagle, Wild Turkeys, Pileated Woodpecker, Kingfisher, Green Heron, to name only a few. Of course, not everything leads to a photo and as I have written here before, the keeper rate by shooting from a kayak is ‘a little’ lower than by using a tripod on solid ground.

Approaching a Great Blue Heron with the boat is a tricky task. Most of the time they took off with a croaking call before we even got close enough to make a picture. This guy had escaped already twice. They just fly away and land at a different spot a few hundred yards down the shore. This shot was made after we changed our tactic. We paddled around the bird in a safe distance and approached it finally with the wind in the back. We drifted slowly towards the bird, without using any paddle strokes. The heron liked that obviously a lot better and allowed us to get into shooting range. I made the movements with the camera very slow and carefully. Fill flash was again essential to bring out the color of the feathers. This didn’t bother the bird a bit and I made quite a few clicks during this 12-minute approach.

BALTIMORE ORIOLE AND JUST A LITTLE COLOR BOOST

I’m at a conference in Minneapolis and my photo editing capabilities are limited, but this picture of a male Baltimore Oriole didn’t need much work. Beside a little contrast improvement and the usual sharpening process not much has been done to the RAW file. The photo has been made yesterday in our ”yard studio”. All what it took was a cup of coffee for the photographer and some patience until the oriole settled down on a branch. I had the Nikon SB800 speed light with  flash extender mounted on camera. It wasn’t the main light source but just enough to boost the colors of the bird slightly. Despite the overcast I had exposure compensation down to -1EV and flash compensation at -5EV (-3EV at the flash light and -2EV in camera). The tricky thing is not to get one picture right, but not to forget to make changes for exposure or flash compensation if the lens is pointed to a different direction with a totally different brightness and background. And with the birds showing up everywhere they want, the mistakes are made easily… ;-)