TWO CONCEPTS FOR A GRAY DAY


Eastern Kingbird

Last weekend I spent some time again in the wetlands along the Mississippi River. It’s nesting time and except for the pelicans, egrets, and geese most birds are not so visible. The sky had an overcast for most of the afternoon and it even rained a few times briefly. I practiced a little handholding with the pelicans that circled above but birds against a gray sky, well it just ain’t pretty.

When I had this flycatcher, an Eastern Kingbird, in front of the lens, I decided to go for a black & white image. The bird is mostly black, gray, or white and shape and color of the dead branch it was perched on seemed to fit for this concept. The uniform sky made for negative space and supports this approach for a fine art print.

Here is another way to deal with the gray sky and its reflection on the water surface. The water lilies started to bloom and there was this spot without too much glare on the water. You may say, dude, why didn’t you use a polarizing filter in front of the lens? The answer is simple, I don’t have such a big one that would fit the 150-600 mm lens. Yes, the flower was a bit away and I had the long lens at hand anyway… In post process the vibrance was increased a bit more than usual and I used the dehaze-slider to give it a little more punch.

I know, there are better ways to make these kind of photos but photography should remain fun. Coming back home with something on the memory card on such a gray day counts twice… 😊

FROM THE ARCHIVE WITH A NEW APPROACH


John Hancock Center, Chicago, 2012

We are in the middle of a rainy and gray Sunday. Time to read, watch some photography lessons, or work on images. I pulled this photo from my photo library this morning. This shot of the John Hancock Center in Chicago was made already during summer 2012. The Nikon D300S and the still well trusted Zeiss Distagon T* 2/35 ZF with manual focus was the equipment of choice at that time. The intend with the original photo was always a black & white version but at the end it looked kinda flat. Probably one reason I never showed this image here in the blog. Today I tried a new approach and gave the photo some kind of fine art look. I just learned this technique over at kelbyone.com in their latest course. I always liked architectural photography and have a deep admiration for the masters of this genre. Maybe it’s time to do more of it myself…

WHIRLIGIG’S DANCE FLOOR


Whirligig’s dance floor, Watoga Lake, Watoga State Park, Allegheny Mountains, West Virginia ———— 

Reading at Wikipedia website I learned that whirligig beetles got their common name from their habit of swimming in rapid circles on the water surface when alarmed. They are known for the bewildering and rapid gyrations in which they swim, and for their gregarious behavior.

I named this photo “Whirligig’s dance floor”. The crazy, dance like movements of the water bugs had shaped the open circle on the water, surrounded by pine needles and grass.

In this low light situation I shot the Nikkor 24-120, f/4 wide open at 120 mm and focused on the leaves under water to give the scene some depth. The natural light of the setting sun gave shape to all the elements that make this photo one of my favorites from our trip through West Virginia.

Nikon D750, Nikkor 24-120mm / f4, @120 mm, B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter, @1/100s, f/4, ISO400

FALLEN BIRCHES


Fallen birches, Cranberry Wilderness, West Virginia ---------------

It’s easy to get lost and post , write, or reflect only on the great vistas and “standard views” the travel and photography websites suggest for a particular area. Sure, story telling is always important, but sometimes it is the subtle view of a detail that extracts the essence of a landscape and makes it finally a fine art print. This photo of fallen birches merges into these thoughts…