GREAT LIGHT FOR QUICK SHOT WITH MANUAL FOCUS

Despite a busy life at the moment I try to take a few minutes for photography whenever I can. Spring is early this year and reveals beautiful things in nature and all what it takes is to have an eye on the light. I think it is important to have a vision for what would make a good subject already ahead of time, but wait until the light finally makes the difference between just a documentary shot and a photo that may please our senses.

I made this picture with my old macro lens, the SIGMA 150 f/2.8G. I haven’t used this piece of glass since quite a while, although the sharpness of this lens has always impressed. Since eye sight is not getting better with age I rely most of the time on the autofocus system of my NIKON Z6II camera. Older lenses that do not have their own autofocus motor, like the SIGMA 150, can only be used in manual focus mode on Nikon’s mirrorless cameras. The sharpness and rendering of this lens is still great but it takes a little bit longer, especially in an awkward position while lying on the ground. Sure, we can employ a low tripod for this kind of a shot. We can do focus stacking and all kinds of macro-voodoo these days, but I’m always afraid the great light is gone before the camera is even mounted on the tripod…😉

MISSISSIPPI RIVER STORIES 2021 #2 - A FAVORITE

115 years old swing railroad bridge across the Mississippi between Sabula, Iowa and Savannah, Illinois

You may have seen photos of this old railroad bridge here in my blog before. No wonder, any time I head south along the big river to Sabula, Iowa’s only town on an island, I have to stop and take a look at this nice piece of engineering. This single track swing bridge between Iowa and Illinois was opened in 1906. It hasn’t lost any of its charm to me and is still one of my favorite men-made subjects for a photo along the Mississippi River.

Last weekend the ice started melting around the bridge and made for a more interesting foreground than at other times before. I put my only manual focus lens, the Zeiss 35/f2 on the camera and set the picture control of the D750 to Monochrome mode. I always shoot in RAW and if I would change my mind later, a color image can still be extracted from the recorded data of the RAW file. But setting the picture control to ‘Monochrome’ allows to view the results immediately in black and white on the screen of the camera. 

Nikon D750, Zeiss Distagon T* 2/35 ZF, 1/160 s, f/11, ISO100

GOING FOR THE GRAPHIC

We move rapidly into the second half of summer and many plants and wildflowers loose already their lush color and started drying up. I wanted to make a photo of this fern since quite some time because its shape and pattern fascinates me. It has a bold graphic and I like to see it on my office wall. I had a first try a few days ago already but didn’t like my results. But today I realized I was almost running out of time because many of the ferns down in the Little Maquoketa Valley started loosing shape. 

The Carl Zeiss Distagon T*, 35 mm, f/2 ZF with its manual focus is a great lens for this kind of photo. Closing it down to f/16 gave me enough depth of field for all leaves being in focus, even the ones in the second and third layer behind the front. Exposure time dropped to 1/13 s and therefore it was important not having any wind. I shoot more than 99% of my photos by using the viewfinder for composition and focus. Because the camera was low on the tripod and with only manual focus it made sense to use the screen in the back of the D750 instead of the viewfinder. It’s hard to break old habits but I actually liked it this way. It allowed me to keep my eye glasses on the whole time (I usually take them off while shooting through the viewfinder). This would not work with a moving critter and most of my wildlife photography but I start reconsidering how I may photograph landscapes in the future. I believe it makes me more thinking about composition, about what is in the frame and what is not…