OZARK MOUNTAINS (4)

Grasses in the river bed, Haw Creek Falls, Ozark Mountains, Arkansas

Today I have something for the more art-minded viewers. In my first blog post about the Ozark Mountains about a week ago I mentioned the challenge to find interesting details in the landscape. Deep in the woods of the Ozarks we checked out a campground at Haw Creek Falls. The summer was dry, not just in this part of the country, and many creeks and rivers have still low water levels and the waterfalls of Haw Creek were not very impressive  to say it mildly. But a hike with the camera on the exposed rocks in the river bed seemed to be promising. Harsh light can be your friend sometimes and these grasses in the river bed, that obviously had not seen a flash flood this summer, stood out against the dark background of the river nicely. The curves of the rocks gives us an idea how the water has carved out this valley over a long period of time.

And here is one of the aspects I like about the Nikon Z 6II, the first mirrorless camera that I use since exactly a year now. I really love the ability to set the camera into a particular picture mode and see a preview of the photo right in the viewfinder before I even make the click. In this matter I set it to monochrome. My presets in camera include a red filter applied to the image and relatively high contrast and sharpening. I still shoot in RAW mode, and if I don’t like the final result, it allows me to go back to color because all color information is still stored in the RAW file. In this case, with “Grasses in the river bed”, it was exactly what I had envisioned and saw in the viewfinder when the click was made, except for the fact that I cropped the final picture slightly.

Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, f/4, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head  @ 200mm, 1/400s, f/4, ISO 100

GOING FOR THE DRAMA (NOT THE BRIDGE)

Rain front moving in over Iowa, Mississippi River, East Dubuque, Illinois

Last Friday evening I went across the Mississippi River to East Dubuque, the northwest corner of the state of Illinois. Over on the Iowa side a rain front moved in and started to cover already partially the low sitting sun. It is tempting to have only an eye for the Julien Dubuque Bridge that connects both states but there was more to consider as the subject for this photo. I was intrigued by the reflections on the water and the drama in the sky above. The bridge as a silhouette still holds the picture together and all lines, from below, above, and from the sides of the image converge near the brightest spot.

I started out shooting in color mode from different angles and distances to the bridge but non of the shots held the drama I saw as a possibility for the final photo. My monochrome settings in the Nikon Z6II apply the effect of a red filter. It gives extreme contrast, darkens the sky and makes the clouds really stand out. Seeing the effect right in the electronic viewfinder or on the camera screen gave me a good direction how I wanted to compose and how my exposure would effect the drama in the scene. Finally, later in post process at the computer, I reduced the effect of the red filter by lowering the contrast a little bit, and making it more looking like an orange filter was used.

Don’t take me wrong, the bridge is a nice subject for a picture, but this was all about the drama in the sky and its reflection on the Mississippi River.

MISSISSIPPI RIVER STORIES 2021 #2 - A FAVORITE

115 years old swing railroad bridge across the Mississippi between Sabula, Iowa and Savannah, Illinois

You may have seen photos of this old railroad bridge here in my blog before. No wonder, any time I head south along the big river to Sabula, Iowa’s only town on an island, I have to stop and take a look at this nice piece of engineering. This single track swing bridge between Iowa and Illinois was opened in 1906. It hasn’t lost any of its charm to me and is still one of my favorite men-made subjects for a photo along the Mississippi River.

Last weekend the ice started melting around the bridge and made for a more interesting foreground than at other times before. I put my only manual focus lens, the Zeiss 35/f2 on the camera and set the picture control of the D750 to Monochrome mode. I always shoot in RAW and if I would change my mind later, a color image can still be extracted from the recorded data of the RAW file. But setting the picture control to ‘Monochrome’ allows to view the results immediately in black and white on the screen of the camera. 

Nikon D750, Zeiss Distagon T* 2/35 ZF, 1/160 s, f/11, ISO100