WAY TO GO

Fall has many ways to tell us that the growing season is over and nature gets ready for hibernation and all the other things we associate with the season before winter. I made this photo about two weeks ago up in the Northwoods of Wisconsin. This was at a little pond, nestled between endless woods and next to a swamp. The trail cameras of a friend prove that deer, bears, and wolves call this area home, even if we hardly ever see them during the day.

The cattails I found at the shore are called ”Kanonenputzer” in the area where I grew up in Germany. This means loosely translated ”canon cleaners”. Maybe you agree that this name describes the plant as good as the english term ”cattail”.

Enough about names, it was the gorgeous side light that made the decaying cattails and grasses stand out. The water of the pond and the woods in the background are pushed back by a strong underexposure, letting the shapes and details of the plants tell the story of a sunny afternoon on a beautiful day in autumn. To me color meant nothing in this image, it was all about the light, contrast, and shapes of the subject. I thought Black & White was the way to go.

NATURE CLICKS #588 - GREAT BLUE HERON

Great Blue Heron, Spring Lake, Petoskey, Michigan

Here is another photo of the same Great Blue Heron as in the last blog post. It was made a little later and from a different position. The bird had just caught a bullhead and tried to swallow it. This needs to be done in a smart way because the bullhead has sharp spines at the leading edges of the dorsal and pectoral fins. It took the heron quite some time to ”prepare” the fish but at the end the little catfish ended up in the herons stomach.

In this photo the background had some light and made actually for a good environmental portrait of the bird, including some water plants and reeds. There was a nice spot light on the bird’s head, not as harsh as before, and an underexposure by one f-stop was enough to keep the highlights intact.

NATURE CLICKS #587 - GREAT BLUE HERON

Great Blue Heron, Spring Lake, Petoskey, Michigan

A board walk gave us access to a small pond and wetland area near the town of Petoskey, Michigan. We approached the bird very slowly, assuming it would fly away any moment, but the heron had only the hunt for fish on its mind. It was all what I was hoping for with the new Nikon Z600 f/6.3, handholding the lens without struggle and coming back with a high keeper rate of sharp images. The background was very busy, with lots of dead wood and reeds. The bright parts of the bird’s plumage required underexposure by 2 f-stops and this solved the problem with the background.

4x WILDLIFE IN AUTUMN

Eastern Chipmunk

With the loss of leaves in the trees we may have quite a bit of dappled light, and that is not always desirable for making a good photo. But if we keep our eyes open, we might be able to use it to our advantage. The light in the fall can be just gorgeous and if a spotlight hits our subject in the picture just right, it adds some drama even to a simple gesture of a bird or critter. Exposing for the highlights is mostly the key for success if we don’t want to blow any colors out. If the part of the animal that is in the shade is a little too dark, we can bring back the shadows in post process easily to overcome the high contrast situation.

During the last couple days I spent some time in our front yard, using the morning light or the still intense power of the sun during the early evening. Four examples are shown today that hopefully underline my approach.

One of our Eastern Chipmunks stopped briefly to check the surroundings for any danger while digging between the leaves for food. I had followed the critter with the lens for a while already and was hoping for a moment like this.

Yellow-rumped Warbler

We still have a few Yellow-rumped Warblers around here, who may have migrated from up north. One of the birds rested briefly on a twig in a Forsythia bush and the light falling through the trees hit the front side of the warbler just right. A little underexposure helped to keep the bright parts of the bird intact, while the shadows on the backside where lifted in post process slightly.

American Goldfinch

The American Goldfinches are pretty much done with their second molt of the year and it is almost complete. Only parts of the males remain still in a bright yellow. You can see that both finches are covered in dappled light. Well, the eyes are clear, have even a catch light from the sun, and the yellow feathers are in great light and this all makes for good storytelling about the season, at least in my books.

American Robin

Very seldom do I post a picture of a bird at a feeder or on the bird bath but I couldn’t resist to make the click of this male American Robin in wonderful Sunday Morning light. Yes, the sun puts some light onto the bird, but it is the reflection from the water and the bowl that holds it that make the colors of this robin just look like at ”mating time in spring”. The exposure was set for the throat of the American Robin but it also rendered the bowl a little too bright, which was an easy fix in post process.

I hope today’s blog post gives the photographers among you some hints for your own fall bird photography and anybody else gets a kick out of the photos as well.

All photos: Nikon Z6II, Nikon NIKKOR Z 600 f/6.3 VR S

WITH A LITTLE IMAGINATION

The snow is almost gone and it takes a little imagination to make a photo with bare trees and vegetation from last year that is more or less brown and grey. When the sun sets above our ridge and the wind has calmed down, it’s time to pour a glass of wine, sit down in a chair on the porch, and enjoy the first evenings of the year with mild temperatures. With at least one f-stop underexposure and white balance settings at 6000 Kelvin or higher, the colors of decaying grasses in the front yard don’t play a role anymore. The setting sun and the backlit silhouettes of grass, swaying in the wind, are enough to let us forget about the dull colors that dominate the landscape after the winter…

ROMANCING THE LANDSCAPE

I’m not a big hunter for sunset photos but sometimes I come across of one that sets it apart and romances the landscape in a special way. In August we had a few days when the smoke of wildfires in the western US made the sun more hazy and gave the sunsets a different mood. The photo shows how the last light of the day touches the hills and ridges here in the eastern part of Iowa along the Mississippi River. The white farm buildings and plastic covers of hey bales reflect the light and even some fog seems to creep into the valleys. To get the color the way it is I underexposed by 2 stops and set the white balance to cloudy. No reason to fiddle in Lightroom or Photoshop, just simple settings in the camera.