NATURE CLICKS #569 - AMERICAN KESTREL

American Kestrel, Green Island Wetlands, Mississippi Valley, Iowa

Here is another image from last weekend’s visit to the Green Island Wetlands. I was already pretty happy since I just had photographed the Rough-legged Hawk I showed in my last blog post. A few minutes later, on my way out on the muddy road, this American Kestrel just landed on a branch in front of me. With a slight turn of the car and the window down I was able to make a few clicks of this small falcon. I have written about in the blog before, the American Kestrel perches nine times out of ten on a utility wire between the poles. The bird gave me less than a minute and half of the time it looked away from me. Having the kestrel sitting actually on a tree branch is much harder to get and with the warm light of the setting sun, this is definitely a keeper.

RETROSPECTS 2020 - #3

Greater White-fronted Geese, Mississippi Valley, Green Island Wetlands, Iowa

Early March is a great time to watch thousands of Greater White-fronted and Snow Geese migrating to their arctic breeding grounds. The Green Island Wetlands are a place for rest during their journey. The hour before sunset is the time to be there for this great nature event. Often the low sitting sun throws some warm light to the underside of the birds. Predicting the path of the geese and good panning technique with the long lens are key for getting a sharp image. The bonus that night was an almost full moon. Having a Greater White-fronted Goose right in its center put a big smile on my face…

MISSISSIPPI RIVER STORIES 2020 #3 - COLOR CONTRAST

American Lady, Mississippi River, Dubuque, Iowa

A mostly hazy and humid day ended for us with a trip to several locations along the Mississippi River right here in Dubuque, Iowa. Just as we stopped to enjoy a clearing wind breeze and to have a look at the Julien Dubuque Bridge, the “American Lady” came back from a river cruise. The warm light on bridge and boat made for a nice color contrast to the sky and its reflection on the water.

WOODPECKER AND WHITE BALANCE

Hairy Woodpecker

Every morning several woodpeckers still try to get a snack from our feeders near the house. With four different species you never know who will be the first one. It was the warm light this morning that caught my attention while getting ready for the day. The Hairy Woodpeckers are usually the most skittish ones and I’m always happy if I get a sharp image of one of them.

This was all not very difficult today, the woodpecker moved around while I opened the window carefully, but didn’t fly away and gave me some time to make a few clicks in the first sunlight that hit our woods. However, a mistake was made that needed some correction in post process at the computer. I simply forgot to reset the white balance in the D750 from my last shooting. I had it still at 7400 Kelvin, a setting I use quite often during sunsets when there is some red or orange in the sky. The light was definitely warm but by far not that warm. I hardly ever correct white balance or colors in my wildlife photography but what I saw on the screen was not what I saw this morning. After correcting to “cloudy WB” (6500 K) in Adobe Lightroom, the photo reflects much better how the light had unfold early on this Friday.

Mistakes are good for one thing, they can teach us a lesson for the next time we try to make a new photo. A little nuance in light temperature can make a difference how we tell the story about our wildlife encounters. Sure, we can always “fiddle” at the computer but I still believe in the craft of photography, means get it right in camera.

PASSING BY

Greater White-fronted Geese

Not a full moon but pretty close. I made this picture yesterday at 600 mm focal length. Most of the Greater White-fronted Geese managed to fly around but finally I found a few that would pass in front of the moon. The trick is to predict the path the geese would take and track them by panning with the lens. If you pre-focus on the moon and just wait until a bird flies by, the geese would be most likely just blurry. The warm light on the birds creates a nice color contrast to the cool background and leaves no doubt about when this shot was taken.

IT HAS TO BE SPECIAL

Downy Woodpecker

With the snow now gone bird photography needs a different approach again. I could use a flash for bringing out the colors, especially on a day with an overcast or in a low light situation, like at the end of the day. I have done that many times and it works very well in a lot of situations. The Downy Woodpecker is a bird we have in our woods all year long, many photos were made over the years, and making another image has to be special. Friday evening, when the sun sent its last rays through the trees, I realized how the soft light touched the old cedar tree in the front yard and the bird resting on it. When they hold a position like this there is usually a predator around, but other birds were present, so I think the Downy Woodpecker just enjoyed this shaft of warm light as much as I did. Yeah, that’s what I mean, it has to be special…

AUTUMN IN MINNESOTA #13

Sunset at the St. Louis River, just outside of Duluth, Minnesota

Jay Cooke State Park was the last campsite for one night at the end of our journey through the Northwoods of Minnesota. We had some snow and rain during the trip and shooting pictures of fast flowing water just seems to be a logic consequence. Well, I love to make photos of creeks and rivers. It is never boring and always a challenge.

I have talked here in the blog some time ago about a technique to make these kind of pictures without the use of a neutral density filter. There are sometimes situations where combining multiple exposures in one image, right in camera, is a valid solution. In particular at narrow and busy places, like famous waterfalls, with lots of visitors. Observation decks for example often vibrate and make any effort with a long exposure useless.

For this photo things were just great. At this time of the year, mid October, the low sun covers the river and the surrounding rocks with warm light for quite some time before it disappears behind the trees. With the Nikon D750 on a solid tripod I used the BREAKTHROUGH X4, 6-stop ND filter in front of the Nikon Nikkor 70-200, f/4 lens. For the final image a 5 second exposure at f/18, ISO 100 was used. Sure, some people like to see the water even silkier, it’s an unfortunate trend at the moment, but the wild St. Louis River, with its waterfalls and cascades, is not smooth at all at this place. The story of that evening was the combination of soft and warm light with the fast flow and turbulences of the river. If weather allows Joan and I will be back in the Duluth area very soon. Can you sense my excitement…? 😊

ROMANCING AN UNROMANTIC LOCATION

Heritage Pond, Dubuque, Iowa

This shot with soft light and reflections on the water suggest a quiet, romantic location, just a few minutes before sunset, right? But nothing of the above was true. Behind the belt of reeds is a busy highway where people headed home from work or shopping. The noise level was not bad but definitely not quiet and the sunset was still 45 minutes away.

The steep bluffs of the Mississippi Valley make the sun disappear a little earlier, hence the blue reflections from the sky on the water. The light is nevertheless very warm and by watching the white balance settings in camera and underexpose by one f-stop we can romance the photo to the final result. Shooting from across the pond and keeping any distracting element from the highway out of the frame was possible by using the Nikon Nikkor 70-200, f/4 at 200 mm. No magic, just using what the camera has to offer…

WARM KISS

Eagle Point, Peninsula State Park, Door County, Wisconsin

I’m not so much after the typical “postcard view” in my landscape photography, but when the warm sunlight “kissed” the birches below the overlook at Eagle Point I knew I had a picture that captured the mood of this late afternoon. The view goes over the northern part of the Green Bay, which was the quiet side of the Door Peninsula that Friday after Thanksgiving. As you maybe remember from my previous posts, the waves of Lake Michigan crushed heavily into the rocky shore on the southeast side on that day. The clouds over Horseshoe Island are not strong enough to be the subject in this photo but make the image a lot more interesting than just a plain blue sky.

NATURE CLICKS #373 - WILLET

Willet, Bolsa Chica Ecological Reserve, Huntington Beach, California ---------

Last week I read on the website of the Iowa-Bird google group that people had spotted a number of Willets at several locations in eastern Iowa. I tried to find this medium to large sandpiper at the Deere Marsh here in Dubuque last Saturday morning but I had no luck.

Two weeks ago in the Bolsa Chica Wetlands in California I still saw a few that hadn’t migrated to their breeding grounds in the interior of the western US and Canada.

The Willet in the image was in company with several Marbled Godwits but I tried to isolate it from the rest of the bunch for my picture. The warm natural light of this evening made it an easy click with the Nikon D750 and Sigma 150-600mm / f5-6.3 DG OS HSM Sports lens mounted on tripod with gimbal head. 

SUBJECT AND AMBIENCE

Lake Superior, Silver Bay Harbor, Minnesota

Over the years I discovered that making an image of just “the ambience” of a landscape seldom leads to a reasonable, story telling result. The lack of a clear subject is usually the reason for these frustrations. Sometimes it works but more often not. Imagine the photo above without the ship. The rocky islands did not offer enough to make it interesting and the “angel rays” coming through the clouds were not strong enough to make them a good subject. No waves on the lake didn’t help either. But there was this very soft, warm light and subtle reflections on the water creating a special ambience that I liked. The “LAKE GUARDIAN” came to my rescue as it approached the islands and rocky pier of Silver Bay Harbor, Minnesota. Suddenly the picture made sense to me…

 

SPRING IN THE VALLEY

Little Maquoketa River Valley, Durango, Iowa

I love my little walks during the evening with our dog and with the camera in my hand. Sometimes its all about looking for birds and critters and sometimes I just chase the light. It’s a great way to wind down from a day behind the desk. 

Last night when the sun hit the horizon the magic of light unfolded down in the valley. The trees along the Little Maquoketa River received a nice shaft of warm light. The color of the leaves, the bare field in the foreground, and the pale stems of last year’s reeds and grasses, they all help to tell the story about spring in the valley. There are only a few days during the year when this picture can be made, maybe it was only yesterday. Last week the leaves were not really out. Later, when the leaves are darker and fully developed, when the field is planted, and when the sun sets in the northwest, it will not be the same mood anymore. Today I was at the river again but a gray overcast painted already a total different picture. Didn’t even think about to make a click…

WARM LIGHT AND THE LATEST ABOUT THE OWLS

Mississippi River, Mud Lake, Image made at 500 mm with Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM Sports Lens

It’s a nice situation, I have made so many images recently , I just need to make up my mind what stories I like to tell first or maybe never. Sometimes the latest observations seem to be more important than the older pics… 

The backwaters of Mud Lake are the closest access to the Mississippi River for us, just ten minutes away from home. As you know, I watch the Great Horned Owl and their offspring during this time of the year at Mud Lake State Park and the photo below tells hopefully more I can even write about here…

Using the long lens for landscape photography may not be on every photographers mind. The compression of a scene, combined with gorgeous light, made me push the shutter release button this evening. The kiss of warm light during sunset is the right time to be there. The mighty Mississippi is behind this dike and the canal in the foreground is part of the Mud Lake backwaters.