QUICK LENS CHANGE

Sunset at the Green Island Wetlands , Mississippi Valley, Iowa

My ambitions to get some good results with wildlife in front of the camera were not rewarded today. This is not unusual for this time of the year and I don’t get too much frustrated. Yes, I saw a couple Sandhill Cranes, some hawks, eagles, lots of geese, and finally large numbers of Red-winged Blackbirds have started to claim their territories in the Green Island Wetlands. I made the usual documentary shots for myself, but nothing was close enough for a serious try to make a photo that stands out.

While waiting and hoping for something to happen I had an eye on the western horizon, where, what I call, a ”dirty sunset” unfolded. Suddenly the clouds started loosing their ”muddy” appearance and I saw the chance for a photo. A quick lens change from the Sigma 150-600 S to the Nikkor Z 24-70, f/4 S and dialing in a different white balance setting in camera to a warmer tone was all what it took to work with another subject, this time the light and clouds above the horizon.

Nikon Z6II, Nikkor Z 24-70, f/4 S,   @ 32 mm, 1/640s, f/8, ISO 400

AFTER THE ADVENTURE

A day comes to an end at Green Island Wildlife Area, Iowa

Shortly after my little adventure with the Striped Skunk in the Green Island Wildlife Area last weekend the sky turned into some color. I went for a compressed view, left the Sigma 150-600 on camera, pulled the zoom back to 230 mm, and set the white balance to 6750 Kelvin. The nesting tunnel was placed almost dead-center as an anchor point and reminder that this is a managed wildlife area. I forgot to look if there was a Canada Goose in this particular nest but I remember that many of the nesting structures in the wetlands were taken, fiercely defended by males and females. Good way to end a day in the Great Outdoors!

WITH A LITTLE IMAGINATION

The snow is almost gone and it takes a little imagination to make a photo with bare trees and vegetation from last year that is more or less brown and grey. When the sun sets above our ridge and the wind has calmed down, it’s time to pour a glass of wine, sit down in a chair on the porch, and enjoy the first evenings of the year with mild temperatures. With at least one f-stop underexposure and white balance settings at 6000 Kelvin or higher, the colors of decaying grasses in the front yard don’t play a role anymore. The setting sun and the backlit silhouettes of grass, swaying in the wind, are enough to let us forget about the dull colors that dominate the landscape after the winter…

IT’S HERE NOW

First snow fall, shot from my office window. 

Nikon Z6II, Nikkor 70-200mm / f4, FTZ adapter, Induro GIT 404XL tripod, RRS BH-55 ball head,   @ 145 mm, 1/30 s, f/16, ISO 1000

Finally we got our first real snow fall this season today. It was later than ever before within the last 18 years since we live here on the bluffs along the Little Maquoketa River Valley. It took me a while to find the right exposure time that makes the fast blowing snow visible and make it part of the story. I started in the woods behind the house with exposure times, between 1/10s and 5 seconds, and this was definitely too long for making the snow trails visible. The golden medium was found at about 1/30s, while the snow fall had intensified and I was shooting from my office window. Winter and snow means cold and the color that carries this message is blue. I played with white balance settings between 4000 and 5000 Kelvin and for this picture ended up with about 4150 K, giving the scene a nice blue tint.

NATURE CLICKS #480 - AMERICAN TREE SPARROW

This photo is already two weeks old but it could have been made today because the landscape had a fresh layer of snow on top of the old one this morning. The American Tree Sparrow breeds in far northern North America but during the winter they migrate south and we may have a chance to watch them. They feed usually in small flocks, mostly on seeds, but here in our woods we only see one or two occasionally.

During these gray days, with little or no sun peaking out from behind the clouds, I still like to include a little bit from the “cold part” of winter in my visual storytelling. Blue is the color of cold and I try to keep the white balance around 5500 Kelvin. Gray clouds render gray snow and the idea is just to counter that by controlling the white balance in camera. A hint of flash helps again with the colors of the sparrow.

WINTER WONDERLAND LOOK

Today was the first day of real winter. It rained yesterday, and changed to snow during the night. The heavy and wet stuff clung to the branches of all trees and bent many of them down, some even all the way to the bottom. The photos were made in our driveway early this morning, still in my pajamas. You don’t see a driveway? Well, that’s one reason I took the photos…

It was still slightly snowing and the sky had an overcast, which means the snow would render just gray, if I would let the camera do its thing with White Balance set to “Auto” or “Cloudy”. Instead I chose “Day light” and that gives the whole scene a bluish tint at this time of the day. I dialed the intensity and saturation a little bit down in post until I had this “Winter Wonderland” look you see here.

WOODPECKER AND WHITE BALANCE

Hairy Woodpecker

Every morning several woodpeckers still try to get a snack from our feeders near the house. With four different species you never know who will be the first one. It was the warm light this morning that caught my attention while getting ready for the day. The Hairy Woodpeckers are usually the most skittish ones and I’m always happy if I get a sharp image of one of them.

This was all not very difficult today, the woodpecker moved around while I opened the window carefully, but didn’t fly away and gave me some time to make a few clicks in the first sunlight that hit our woods. However, a mistake was made that needed some correction in post process at the computer. I simply forgot to reset the white balance in the D750 from my last shooting. I had it still at 7400 Kelvin, a setting I use quite often during sunsets when there is some red or orange in the sky. The light was definitely warm but by far not that warm. I hardly ever correct white balance or colors in my wildlife photography but what I saw on the screen was not what I saw this morning. After correcting to “cloudy WB” (6500 K) in Adobe Lightroom, the photo reflects much better how the light had unfold early on this Friday.

Mistakes are good for one thing, they can teach us a lesson for the next time we try to make a new photo. A little nuance in light temperature can make a difference how we tell the story about our wildlife encounters. Sure, we can always “fiddle” at the computer but I still believe in the craft of photography, means get it right in camera.

INTENTIONAL?

Sometimes things take a weird twist. Quite often a click is made with a good intent but the results are just not even close what the photographer had in mind. I guess everybody who puts some thoughts in their photography can relate to that statement. But here is a story how it can become just the opposite.

Last Friday night, while sitting in a chair and some good music coming out of the loudspeakers, I made some test shots with high ISO settings. I saw the light from the lamp beside me reflected and distorted in a window across the room. The blossom of a house plant in front of the window was my subject to test focus and handholding the camera and lens in low light. There wasn’t really an intent for a good picture. While evaluating my shots on the computer screen I realized the shadow of the flower on the glass of the window and I liked this effect. The lamp is just normal incandescent light, with other words very boring, and so I tweaked the white balance of the image into the extremes you can see here. Hey, now we have an artsy-fartsy-like-shot, or not…?? 😊

MISSISSIPPI RIVER STORIES 2019 #15 - ICE PILED UP

Mississippi River, Mud Lake

When I took our dog for a walk to the Mississippi River this morning I was almost tempted to leave the camera at home. It was just a gray and cold day. I hardly ever go without a camera to the river and I was glad I didn’t change my habit today. The photo was taken from almost the same spot as the one in my last post, which I called “Dynamic in the sky”. Well, there was no dynamic in the sky at all today, but the cold temperatures we had earlier this week, followed by some warmer weather, had broken up some ice upstream and a lot of drift ice was piled up. The river is about 2.2 km (1.375 mi.) wide at this point, but the Wisconsin side looks much closer due to the compression effect of the 200 mm lens. 

Another occurrence that had an impact is heat shimmer. The cold air above the ice is mixing with warmer air and makes it impossible to see the ice on the other side of the river really sharp. I shot this with f/8 and focussed on the piled up ice on the Iowa side of the river. A smaller aperture, like f/16 wouldn’t help a bit in this matter. 

Snow, ice, and a gray overcast don’t go very well together and in order to make this image work I left the white balance a little more on the colder side. 

Nikon D750, Nikkor 70-200mm / f4,   at 200 mm, 1/320s, f/8, ISO100

PAINTING WITH LIGHT

During the last few weeks I watched several KelbyOne online classes by photographer and Nikon Ambassador Dave Black about painting with light. That is something that has interested me since a long time but I have never tried it before. If you are not living in the Midwest of the United States you heard it at least in the media, it was really cold here lately, thanks to a polar vortex, and I guess long cold winter nights are perfect for starting such a new photography adventure.

I tell you upfront, it looks easy when you watch the video classes but I had more than 30 attempts before I had results that reflected what I had in mind. I wanted to keep it simple and used just the turntable and a couple of my favorite vinyl records as a background for my first lightpainting project. The light source was a LED flashlight with a very bluish color. I wanted a cold light for this photo but it was a little too much and so I countered it by setting the white balance in the Nikon D750 to 10,000 Kelvin. I attached a little snoot, made out of paper, to the head of the lamp in order to give the light more direction and not spill it all over the place while painting. The room was pitch dark, the shutter was open for 30 seconds at f/20 and I started painting. It takes a little while to find out how much light every element in the frame needs and at the end there is no two photos that look alike.

The learning curve is steep and it is easy to make mistakes that ruin the whole photo. Sounds like a lot of work, but it was instead much fun and a very satisfying process. The possibilities for painting with light are endless and I’m sure even after this polar vortex has weakened, there is another cold winter night waiting for me to start another project…

Nikon D750, Nikkor 24-120mm / f4, Induro GIT 404XL tripod, RRS BH-55 ballhead, @ 48mm, 30s, f/20, ISO100

‘FULL SNOW MOON’

1/160 s, f/11, ISO 100, 850 mm (1275 mm DX mode)   -----------    

Beside the ‘Full Snow Moon’ (the traditional name for the full moon that occurs in February) observers across North America had a chance to see a penumbral lunar eclipse tonight. I may have been a little too late for watching the eclipse and we had still a hazy cloud cover when I went outside. A penumbral eclipse is rather subtle, however, I didn’t see really any unusual shading of the moon. 

Tomorrow night comet 45P/ Honda-Mrkos-Pajdušáková makes its closest approach to earth. The comet has been visible for months but tomorrow night is supposed to be the best view. Lots of things going on in the sky this weekend… ;-)

I haven’t done any photography of the moon since a long time but tonight I thought it would be a good reason to do it again. By mounting the Sigma 150-600 mm plus the 1.4x teleconverter to the camera I had a focal length of 850 mm. I could have cropped the image but I like to get it right in camera. By selecting the DX-mode in the Nikon D750 (using only a part of the sensor) I have the viewing angle of a 1275 mm lens. With other words, the photo reflects what I saw in the viewfinder tonight. I shot from our balcony but this wooden structure vibrates with any movement that occurs. To minimize vibrations a cable release was used and the camera was set to ‘Mirror-up’ mode. I tried manual focus as well as autofocus and both worked good. I started with a fixed white balance of 4000k but found it was a little to bluish. Setting the camera to Auto-White Balance resulted in about 4750 K and I think that looks more natural.

ROMANCING THE LANDSCAPE

I’m not a big hunter for sunset photos but sometimes I come across of one that sets it apart and romances the landscape in a special way. In August we had a few days when the smoke of wildfires in the western US made the sun more hazy and gave the sunsets a different mood. The photo shows how the last light of the day touches the hills and ridges here in the eastern part of Iowa along the Mississippi River. The white farm buildings and plastic covers of hey bales reflect the light and even some fog seems to creep into the valleys. To get the color the way it is I underexposed by 2 stops and set the white balance to cloudy. No reason to fiddle in Lightroom or Photoshop, just simple settings in the camera.