AFTER THE RAIN

Blackwater Falls, Blackwater Falls State Park, West Virginia -------

19 meters tall Blackwater Falls in the Allegheny Mountains is named for the amber waters of the falls. The water is tinted by the tannic acid of fallen hemlock and red spruce needles. Here is another photo of the same waterfall I showed you already twice this weekend. After a night of heavy rain it was expected that things had changed down in the Canyon of the Blackwater River. Working three days in a row with the same waterfall from different vantage points, with different light, and the subject itself changing dramatically was a lot of photography fun. For shots like this I employ the polarizer for having the glare on the rocks under control. I use the multiple exposure mode in the D750, which can combine up to three shots into one image right in camera. Using a stabile tripod is an absolute must for this technique and a remote shutter release helps to keep the surroundings of the waterfall sharp.

Nikon D750, Nikkor 16-35mm / f4, @ 26 mm, 1/5s, f/6.3, ISO200, B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter, Induro GIT 404XL tripod, KIRK BH-3 ball head, VELLO wired remote switch,

RIGHT PLACE AT THE RIGHT TIME

Blackwater Falls (partly), Blackwater Falls State Park, West Virginia

The evening at our arrival in Blackwater Falls State Park, West Virginia the left hand part of Blackwater Falls made for a nice appearance. When the setting sun over the canyon sent a shaft of light into the rocks next to the waterfall I knew we were at the right place at the right time… How a change in weather can make a big difference and create a totally different challenge for the photographer you will see in tomorrow’s blog post.

COMBINING THE ELEMENTS

Blackwater Falls (partly), Blackwater Falls State Park, West Virginia

I showed you an image of a waterfall and another one of the fall colors in a canyon this week but how about combining the two elements? Blackwater Falls in West Virginia is the perfect subject for doing so. During this weekend I will post three photos from the same falls and they all will tell the story of the season, just in a different way. Please stay tuned…

Nikon D750, Sigma 150mm / f2.8 APO EX DG HSM, @1/5 s, f/18, ISO 100, B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter, Induro GIT 404XL tripod, KIRK BH-3 ball head,

 

KEEPING THE SKY OUT OF THE FRAME

Canyon of the Blackwater River, Blackwater Falls State Park, West Virginia

In search for fall colors we came across many different situations and they all raised the question, how to tell the story with one photo? At Pendleton Point, overlooking the Canyon of the Blackwater River, it was clear that the gray sky had to stay out of the frame. After a rainy night and a day with heavy overcast the saturation in the leaves was perfect. The polarizer helped to minimize glare on leaves and the water of the river. A light fog from low moving clouds in the canyon made for a great autumn mood. I focused on the bottom of the canyon and shot relative wide open (f/4) to keep the speed within a range I can handhold with the Sigma 150, f/2.8. Depth of field was no concern without a foreground in the frame.

Nikon D750, Sigma 150mm / f2.8 APO EX DG HSM, @1/200 s, f/4, ISO 400,   B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter,

WV - Wild and Wonderful

Falls of Elakala, Blackwater Falls State Park, West Virginia -------

The tent and camping gear is unpacked, with other words we are back from our vacation trip. This year we explored the mountains and woods of West Virginia and Virginia. West Virginia welcomes you with a sign that says, WEST VIRGINIA - Wild and Wonderful, and this is almost an understatement. Our first destination was Blackwater Falls State Park, which is surrounded by Monongahela National Forest. At this time of the year most people go there for fall colors and of course the waterfalls. The photo shows not the most visited waterfall in the park, but I thought it was the prettiest with its swirling pools in the foreground and leaves scattered all over the rocks.

Nikon D750, Nikkor 16-35mm / f4, @ 35 mm, 1.6s, f/20, ISO100, triple exposure in camera,  B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter, Induro GIT 404XL tripod, KIRK BH-3 ball head

YOU CAN’T ALWAYS GET WHAT YOU WANT

Prairie near Whitewater Canyon, Iowa -------    

I think photographers know better than a lot of other people how to take the song of the Rolling Stones, “You can’t always get what you want!”. Sunday afternoon I hiked down to the bottom of Whitewater Canyon, one of only three true canyons in Iowa, and highly interesting for people interested in geology, wildlife watching, and nature in general. (for location and more detailed description please feel free to use this link: http://www.mycountyparks.com/County/Dubuque/Park/Whitewater-Canyon-Wildlife-Area.aspx ) It is surrounded by prairie land, rolling hills, and fields. 

So why don’t I show pictures from the canyon? As said, you can’t always get what you want! The truth is, the light really sucked. A big field of gray clouds started covering the sky while me and our dog Cooper were on our way down to the canyon. With the dull light of an overcast, well photography in a canyon can suck too! Back on the way to the parking lot and up on the prairie I saw the edge of the clouds moving east and towards me. And here is the point I’m trying to make. The next opportunity for a decent photo is just around the corner.

I sat down on a big boulder that marks the border of the parking lot, let our dog Cooper do what he wanted to do, and watched the development of the weather for about 45 minutes. As soon the edge of the gray clouds passed the sun, the camera was out of the bag and the shutter was clicking. All the blossoms of the wildflowers in the prairie are gone, but the prairie grass in the fore- and middle ground adds texture to the image, and the “crying” clouds are just lovely in my books. Well, no canyon pictures today, but next time I may get what I want… 😊

THUNDERHEADS

Mississippi River, Mud Lake, Iowa  ------- 

With thunderheads still towering over the east side of the Mississippi River I could not finish my short trip through the countryside without finally driving down to Mud Lake yesterday evening. The sun had disappeared already behind the ridge of the valley but threw still gorgeous light at the puffy clouds on the Wisconsin side of the river. This place is never the same twice and one of the reasons why I keep coming back over and over again.

Nikon D750, Nikkor 24-120mm / f4, Schneider Graduated ND filter 0.9, @52 mm, 1/50s, f/8, ISO100

DOES SUMMER HAVE AN END?

To my friends and family in Germany I always describe September as a month that has in general still the character of summer here in Iowa, This is in particular true for this year. During the last few days unusual high temperatures made life a little uncomfortable for people like me, who love a more moderate climate. This all had to come to an end and this evening thunderstorms crossed the country and will continue to cool down the air in the next 24 hours. With thunderstorms come big, puffy clouds. If you follow my blog since a while you know already that I like to make clouds the subject of photos in my landscape photography quite often. I just love how clouds, and the ever changing light that comes with them, can create drama in a landscape. If in addition a string of Canada Geese crosses the sky, the shutter of my Nikon D750 is rattling… Oh, I love fall, even if it still feels like summer…😉

27TH FLOOR

Chicago downtown

An exhausting week lies behind me. The annual trade show of the printing industry, PRINT 17, is history but took all my attention, hence the lack of any blog posts this week. All what I can offer is a few views from the 27th floor of my hotel room in Chicago. I always ask for a high floor and was lucky again to have a room that allowed for shooting the skyline of Chicago. With Willis Tower (the former Sears Tower) on the left, Soldier Field stadium, and Navy Pier on the right, it doesn’t get any better. The only difficulty for a shot like this is the fact that several sheets of glass were between the lens and the subject. This really prevents a high quality image, but I was aware of this limitations and nevertheless not unhappy with the results.

Nikon D750, Nikkor 16-35mm / f4, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head, VELLO wired remote switch, @ 35 mm, 13 s, f/8, ISO100,

GOING FOR THE DETAIL SHOTS

Shaft of light on a rock in the Volga River, Iowa -----

Yesterday’s photo here in the blog was all about the river, the season, and the mood of the landscape. But I always like to look for the lines and textures, and when the light or just color contrast make a subject pop I see another image. This was sometimes a challenge along the Volga River last weekend. The recent flash flood left a lot of clutter, like sticks and broken trees, along the shore and between the rocks. Keeping them out of the frame is not always possible and cleaning a few sticks up in post process is not a crime in my books.

Fern, Brush Creek Canyon State Preserve, Iowa

On our way home we briefly checked out another area, Brush Creek Canyon State Preserve, near Arlington, Iowa. The preserve contains a rugged forested gorge along the Silurian Escarpment, a prominent ridge located on the western edge of the Paleozoic Plateau landform region in northeast Iowa. We didn’t have the right boots to hike down into the canyon but want to come back better prepared another time. However, a few images were made. The fern growing out of 435 million years old Silurian dolomite didn’t have a shaft of light on it, like the rock in the first image, but the color contrast makes this photo work for me.

PADDLING ON THE VOLGA RIVER, IOWA

Volga River upstream from Albany Bridge ------

Joan and I had a wonderful weekend. Together with our dog Cooper we paddled the Volga River again. Someone was funny and asked on Joan’s Facebook page if we were in Russia! No folks, this river is right here in northeast Iowa! It is a gorgeous river valley that reminds me a lot of the Sächsische Schweiz (Saxonian Suizerland), back in Germany near my home town, a mountain area with sandstone bluffs, rocks, and steep valleys.

It was a different challenge this time. The water level was a bit lower than some weeks ago and we had to incorporate “a few” short portages into our kayak tour. Joan counted over 30, oh well, it was a great way to exercise getting in and out of the boat on this almost 14 km (8.5 miles) trip…

The photo above was made this morning about a mile upstream from our campsite. The water of the Volga River was very clear and some yellow leaves on the rocks tell already the story about fall will knock at the door very soon. 

Nikon D750, Nikkor 24-120mm / f4, @ 38mm, 1/6s, f/18, ISO100,

‘ROMANCING’ A RAILROAD BRIDGE

Mississippi River, Swivel-Railroad bridge, Dubuque, Iowa -----

Some of my favorite subjects for architecture photography are the bridges across the Mississippi River. Unless it is a totally new subject that I haven’t shot before, there has to be a certain quality of light before I consider to take the camera out of the bag. This happened one evening earlier this month at the swivel railroad bridge in Dubuque. I had never made any close photos at the north side of the bridge and discovered just recently the access for this shooting location.

By the way, these bridges are a great subject to become familiar with new gear, like cameras, lenses, or teleconverters. Learning about depth of field, light fall off, sharpness, etc. in a controlled environment, but still with an interesting subject in front of the lens, is priceless (beats test shots in the backyard by far 😊).

This photo is another try to ‘romance’ my landscape photos with Macphun’s Luminar software. I still have a tear in my eye because the good old NIK collection is on it’s way out, but any time I gain more experience with Luminar I love it a little more. It is intuitiv for someone who has worked with Adobe Lightroom and NIK before, but I can see why it might be a little overwhelming in the beginning for someone who is new in post processing their images. There are a lot decisions that can be made how to process an image and I will be the first one to admit, overdoing it is very easy…

STORY OF TRANSITION

There are not very many farms left here in the Midwest where the old buildings and farm structures are preserved. Unfortunately beautifully crafted wooden barns, stables, and farm houses have been or will be replaced by simple metal structures, concrete, and plastic siding. This is somehow understandable because the economy of farming dictates many of these changes, but the historic charm will be gone forever.

The farm in this picture has a mixture of old and new buildings and the photographer can still tell the story of transition with his image. Including the bright clouds gives the photo some visual depth. The eye will most likely go to the brightest part of the picture first, but from there it will move through the frame.

Photo: Nikon D750, Nikkor 24-120mm / f4, @46 mm, 1/640 s, f/8, ISO100

 

THE LEARNING CURVE

The buildings and structures I photographed a week ago at the Motor Mill Historic Site are a great subject for experiments with the new software plug-in, Macphun’s Luminar. One of the best parts of the old NIK collection was Silver Efex Pro 2, the software I have used for all black and white conversions since many years. Knowing that SEP 2 will not work in the future, because Google has decided not to support and update it anymore, I needed to find a new solution for my B&W work. I like the results other photographers get with Luminar so far and I try to find a workflow with this software that works for my style of photography. The key for a fast post process is creating presets that can be used as a starting point for other pictures. It is a little time consuming in the beginning, but it is part of the learning curve and with every image and stored preset the process becomes faster and is more fun. I rather spend time behind the camera than in front of the computer screen…😊

STABLE AND SMOKEHOUSE

Stable, Motor Mill Historic Site, Iowa --------

I was running out of time last night, hence my blog post with photos only. So here is a little more information that I found in the brochure of Motor Mill Historic Site.

The Inn at the town of Motor I showed you yesterday provided rooms and offered meals to farmers waiting overnight for their grain. The mill was finished in 1869 but was actually in operation for only 13 years. A farmer, Louis Klink, purchased the land in 1903 and farmed it for nearly 80 years. During that time the Inn served as a home for the Klink family.

My first image today shows the stable that is next to the Inn. It housed the animals of the patrons of the Inn. Native limestone from a nearby quarry was used to construct it. The hip-type roof was added in the early 1900’s when the building was changed to a dairy barn. We can still see the original straight roofline below.

Smokehouse and bridge

This building was long thought to be the icehouse. It was recently discovered that it was actually a smokehouse where meat was cured during the mid-late 1800’s.

The bridge in the back across the Turkey River is a 2012 replica of the 1899 pin-and-truss iron bridge, which had been destroyed by floods in 1991 and 2008. As mentioned in an earlier post, we have been at Motor Mill a couple years before and I had already seen the potential for some good photos at this location. Finally I got what I was hoping for. It is the light before and around sunset that really reveals the charm of these old structures.

So, what about the little bunny sitting in front of the smokehouse? Well, it was just sitting there, not the subject of the photo, but making the smile in my face even bigger that evening…