THE CASTLES


We discovered this little gem in the northwest corner of South Dakota already five years ago and had it on our list of places we wanted to revisit since. 

Castles National Landmark is located in the Slim Buttes land unit in South Dakota. The Castles are a massive sandstone remnant which originated as a volcanic ash deposit and resemble a medieval castle. (source: USDA - Forest Service)

This time we camped at this location and that gave us the chance to photograph these interesting rock formations during day light and of course during a wonderful sunset. As a bonus the moon was up already and made it worth to be included in some of the photos.

WITH A SMILE


Badlands National Park, South Dakota

We stood many times before in front of this almost alpine looking part of Badlands National Park in South Dakota. It is usually difficult to come back with a decent photo of this view at late morning during the summer. The pale slopes and a certain haziness in the air made it most of the time not a prime spot that reveals its beauty easily.

At this day near the end of August an overcast softened the harsh impact of the sun and a few gaps between the clouds created a good chance for some spotlight on the mountain slopes. Suddenly the play of light and shadows made the depth of up to ten levels between the hills in the foreground and the sky visible. It lasted only a few seconds. I went back to the car with a smile on my face…

Nikon D750, Nikkor 70-200mm / f4, B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter,   @135 mm, 1/320 s, f/8, ISO100

GRASSLANDS, BADLANDS, AND BIG SKY


Sky after sunset just outside of Theodore Roosevelt National Park, North Dakota

Hi, we are back from a trip to the Grasslands and Badlands that stretch from South Dakota  into North Dakota and eastern Montana. Our tent was pitched most of the time in remote locations with no or very few people around, making social distancing easy. We watched lots of wildlife, small and big, and enjoyed some “Big Sky”. As time allows I will post some photos that hopefully tell stories about all this during the next few weeks and I’m glad if you find the time again to stop in here in my blog to read about nature and photography.

IN ANTICIPATION


Little Missouri River, Theodore Roosevelt National Park, North Dakota, 2015

In anticipation of our upcoming vacation later this week we are stacking camping gear, food, and photo equipment already. Yes, we will return to “Big Sky Country” again. Part of my preparation is to look at older images from previous trips. What did I learn from mistakes in the past, what do I want to photograph at locations where we have been before, and what new challenges can be mastered? Lots of questions going through my head. We know, some great landscapes wait for us again and there is no trip that includes South and North Dakota or Montana without really good wildlife watching.

This photo is from our trip in 2015 to Theodore Roosevelt National Park in North Dakota, a place we certainly like to visit again. I usually take a break from posting here in the blog but I hope you check in again and stay tuned.

ATTENTION TO THE HIGHLIGHTS


Creek, Bankston County Park, Iowa

Same location as in yesterday’s blog post. I looked for beauty at the river valley and tried to work towards a fine art print. The photo is underexposed by one f-stop to hide more of the clutter in the river bed. When the picture is framed in the viewfinder it is important to watch the highlights in the water in order to anticipate the results. This of course has to be done before the 10-stop ND filter is attached to the lens because it is so dark, you can’t see much through it in an environment that is not very bright. With flowing water no two images are alike. This requires some patience to obtain the desired outcome. At the same time it is interesting and has a learning curve, but is also a relaxing and calming process.

Nikon D750, Nikkor 70-200mm / f4, Breakthrough X4 ND filter (10-stop), GITZO tripod GT2931 Basalt, KIRK BH-3 ball head, VELLO wired remote switch,  @200 mm, 13 s, f/11, ISO100

AT THE BOTTOM OF THE VALLEY


Little cascade, Bankston County Park, Eastern Iowa

I still try to reveal the possibilities of the new Breakthrough X4 10-stop ND filter. Our dog Cooper and us always love to visit Bankston County Park, with its cold creek running through the valley on a bed of ancient limestone rocks. Little cascades are an ideal subject for long time exposures and if the light coming through the dense canopy of the trees hits the right spots, you may find the photo that was on your mind.

Nikon D750, Nikkor 70-200mm / f4, Breakthrough X4 ND filter (10-stop), GITZO tripod GT2931 Basalt, KIRK BH-3 ball head, VELLO wired remote switch,  @200 mm, 26 s, f/11, ISO200

GEAR TALK: BREAKTHROUGH X4 10-STOP ND FILTER


Mississippi River, Julian Dubuque Bridge, Iowa / Illinois

A new tool arrived by mail and I was eager to try it out. A 10-stop X4 neutral density filter, made by Breakthrough Photography in San Francisco, CA, was put in front of the Nikkor 16-35, f/4 lens today. I have three of their filters already in my bag and I really love the optical quality. They are much better than any ND or GND filters I have tried before. So why a 10-stop ND filter? Think of blurring waterfalls or smoothing flowing water, as in today’s photo. Not to forget clouds, one of the main reasons I wanted the big stopper.

In my presentations about storytelling in wildlife photography I emphasize how important it is to try out new photo gear in your backyard at home and to become familiar with a new piece of equipment. In my case, that doesn’t always work well for landscape photography, because we live in the woods and are surrounded by trees. But going to local places, where I have shot before and know the location good enough to make a judgement and learn how to use the new tool, is a proven way.

The Julian Dubuque Bridge, that connects Iowa and Illinois across the Mississippi River in Dubuque, has been in the viewfinder quite a few times. We had some nice puffy clouds this evening and I wanted to see how clouds and the water of the big river would turn out with this new 10-stop Breakthrough X4 ND filter. I was at the bridge between 6PM and 6:30PM and for some warmer light I could have waited a little longer. But I knew the remaining clouds would have dissolved pretty soon and I really wanted the clouds for my tests.

For the picture above the meter in camera for the test shots, measured without filter, showed 1/40s at f/20 and ISO100. The app on my phone for calculation of the correct exposure time with ND filter is NDTimer. It suggested 12 seconds and I usually take it slightly higher, so the scene was exposed for 13 seconds. Long enough to hide any truck or car that crossed the bridge and two white speed boats in the background were rendered as just a couple pale stripes on the water. In some other shots, where the boats were closer, I used even 25 seconds exposure time at ISO50. The boats were not even visible in the frame.

The speed of the clouds above the bridge was not very high, but they got blurred around the bridge, while the ones in the background had less movement due to the perspective. I like the way the flowing water of the mighty Mississippi turned out. Sure, there is a lot room for improvement, but I’m again impressed how this filter renders the colors.

As you know, I’m not getting paid by anybody for mentioning gear I use or like and there is no difference with the products of Breakthrough Photography. Their website says: 

Breakthrough Photography is a filter research and manufacturing company that designs, manufactures and sells the worlds sharpest and most color neutral ND, UV and CPL filters to over 180+ countries.

Funding Received $760,000 during 3 Kickstarter campaigns

I don’t give a damn about statements like that until I experience what they promise. Here is a word about my little experience that goes beyond the quality of their filters. Yes, I like their filters, the quality how they render the colors and the way they are packed in good fitting and well marked pouches, each of them with a high quality cleaning cloth. So far so good, they are not cheap, but the products are worth the investment.

I lost a few days ago a couple tiny parts from the X100 filter holder (my fault), emailed the service department of Breakthrough and received within less than 24 hours during the weekend a response that spare parts are on their way without any charge. They are not here yet, probably due to the current problems with the US postal service, but for all these reasons I like to mention BREAKTHROUGH PHOTOGRAPHY products and service more than once in my blog post!

MISSISSIPPI RIVER STORIES 2020 #5 - MAKING SPEED VISIBLE


Wisconsin bridge, Mississippi River, Dubuque, Iowa

Dubuque has three bridges across the Mississippi River. The photo shows the highway bridge to the state of Wisconsin. The two other ones, connecting Iowa and Illinois, have been in my viewfinder quite often in the past. This one not so much. I went there last weekend to practice and experiment again with my graduated neutral density filters. Our vacation trip is coming up later this month and I like to be prepared for some new landscape explorations.

A lot of traffic on the river, with most boats slowly cruising and people enjoying a hot and sunny evening. We know there is always an exception and the approach of this very fast speed boat was announced by its roaring engine well before it came in sight.

I wasn’t interested in the details of the boat but wanted a long exposure to have a blurred trail, making the speed somehow visible to the viewer, while bridge and even background remain sharp. The darker part of the 3-stop GND filter was pushed all the way down in the filter holder to cover more of the frame, ISO 50 prolonged the exposure time a little more, and by using an aperture of f/20 I ended up with 1/4 of a second. Needless to say that the camera was on a tripod and focus was obtained manually by pre-focussing on the center of the bridge. The water in the foreground had some turbulences that were slightly blurred in the photo, making it a bit more interesting without distracting too much.

Nikon D750, Nikkor 24-120mm / f4, B+W F-PRO Kaesemann High Transmission Circular Polarizer MRC filter, Breakthrough X4 3-stop soft GND filter, Induro GIT 404XL tripod, RRS BH-55 ball head, Vello cable release,   @ 66 mm, 1/4 s, f/20, ISO50, manual focus

MISSISSIPPI RIVER STORIES 2020 #4 - REPEATING, NEVER TWICE THE SAME


Mississippi River, Mud Lake, Iowa

The Dubuque Camera Club had a challenge on Facebook last month for submitting photos about the Mississippi River. Deadline was July 31st and I posted a photo of a storm cloud I took at Mud Lake Park some time ago, just an hour before the challenge ended, and repeated in my capture lines what I had said probably more than once before here in the blog, the MISSISSIPPI IS NEVER TWICE THE SAME.

Well, that statement was true even earlier the same day, when I created this image during almost high noon time. The clouds, some maybe made by airplane tracks, lined up with the landscape of the entry to the marina of Mud Lake. I have never seen it that way before and now my statement about the Mississippi River at Mud Lake IT’S NEVER TWICE THE SAME, maybe doesn’t sound just like a draw from the phrase book…

CLOUDS AND FINDING A GOOD LOCATION TO SHOOT THEM


Storm clouds, near Five Points, Iowa

Joan and I went on a cloud chase by car as a line of thunderstorms went across the area yesterday afternoon. Unfortunately our garden didn’t receive a single drop of much needed rain and we never really found the BIG SKY, but a few clicks were made out in the countryside of the driftless area. This seems to be an easy task but after a while of driving around you realize, it becomes more and more difficult to find farm buildings that have some charm. I love old farm structures and they can make a nice middle ground for a photo with clouds. Many of the old barns have been replaced by metal buildings without any “soul”. This farm on a hill and the winding road to Five Points, Iowa had what I was hoping for. The clouds tell the story of the developing thunderstorm at the end of a typical hot and muggy day in July here in eastern Iowa.

A word about the post process of the image. There was no location along that gravel road without a number of power lines in the frame. Thanks to the content aware healing brush tool in Photoshop the removal was a breeze and took only a few minutes.

SAME CLOUD AGAIN


I still have my thoughts at this anvil cloud that took our attention last Monday at the night shooting event of the Dubuque Camera Club. I can’t really say I had a black & white image in mind this time, when I took a number of pictures of the cloud. I love this form of expression and finally wanted to give another photo of this series a trial.

Nikon D750, Nikkor 70-200mm / f4, Induro GIT 404XL tripod, RRS BH-55 ball head, Vello cable release,   @122 mm, 1/500s, f/5.6, ISO100

HOT SUMMER NIGHT


I was not the only one who tried to capture the magic of this sun-filled anvil cloud, hanging in the sky to the north last night. I saw other fellow photographers pointing their lens in this direction during our night shooting event. First I tried it with the wide angle lens between 16 and 35 mm but had the feeling there were too many other things present that distracted from the subject. I found my way to tell the story about a hot summer night in the Midwest by zooming in to 105 mm and leaving just a small sliver of prairie and trees in the frame to give it some sense of place.

A sign and a small part of a bright concrete trail were removed with “content-aware fill” in Adobe Photoshop. This function has greatly improved since one of the last updates and is a very powerful tool for “romancing” a landscape by cleaning up from man-made garbage.

Nikon D750, Nikkor 70-200mm / f4, Induro GIT 404XL tripod, RRS BH-55 ball head, Vello cable release,   @105 mm, 1/250s, f/8, ISO100

SMOKE AND LIGHT


Nikon D750, Nikkor 70-200mm / f4, @ 72mm, 1/160s, f/5.6, ISO400, matrix metering, underexposed by -1 stop

I trust you all had a nice Independence Day here in the United States. We spent this sunny and very warm weekend tent camping with the grandkids and their parents and had an enjoyable kayak trip with them. Of course, eating a good dinner is important after such exercise! Shortly after the fire in the grill got started we watched how the smoke made the sun beams visible that came through the canopy of the trees. Oh, I can’t bypass such a photo opportunity… 😊

Nikon D750, Nikkor 70-200mm / f4, @ 95mm, 1/200s, f/4, ISO400, matrix metering, underexposed by -1.3 EV

MISSISSIPPI RIVER STORIES 2020 #3 - COLOR CONTRAST


American Lady, Mississippi River, Dubuque, Iowa

A mostly hazy and humid day ended for us with a trip to several locations along the Mississippi River right here in Dubuque, Iowa. Just as we stopped to enjoy a clearing wind breeze and to have a look at the Julien Dubuque Bridge, the “American Lady” came back from a river cruise. The warm light on bridge and boat made for a nice color contrast to the sky and its reflection on the water.

BLURRING THE WATER


Middle Fork Little Maquoketa River, Bankston County Park, Iowa

No landscape or people photographer likes dappled light for the most part. But if the dappled light hits the right spots, a photo can be created. Back to the river valley in Bankston County Park today I tried to get some birds in front of the lens. The feathered friends had other plans and after spending over an hour along the Middle Fork Little Maquoketa River without any good results, I decided to change lenses and dedicate some time to the river itself. We had some rain lately and the water had good speed around the cascades.

I used the technology in the camera to produce some blurred water in the bright light of this afternoon. The Nikon D750 allows multiple exposures for one frame, although its only three at a time. Newer cameras may allow more shots in multiple exposure mode. The camera is on a tripod and first a test shot is made to see where to start. Use aperture priority mode, between f/22 and f/32 (depending on your lens) and ISO100. Autofocus on a fixed point, like a stone, and then turn the autofocus mode carefully off. I set the shutter to continuous high speed but low speed may work as well. Fire all three (or more) shots and look for the results on your screen. Make any corrections you want with your exposure compensation dial and do it again, and again, and again. No two shots are exactly alike, due to the fact that the water looks always different. Back at home, in front of your computer screen, it is time to make the difficult decision which photo to use for telling your story…

Why do I like this way so much? During bright day light you need a very dark filter and may still not have a slow enough shutter speed to blur the water. If you have ever worked with neutral density filters (6 stop or 10 stop) you know that the slightest vibration can ruin your shot and focus has to be on spot before the filter is in front of the lens. The method as described makes you very fast and allows to try out many different shooting angles or zoom settings within a short period of time, giving you a lot more space for creativity while working along a creek or river.