3.20 pm isn’t really sunset time at the end of January but it kinda felt like it after a big cloud had moved in front of the sun. I’m glad I went out to the Green Island Wetlands yesterday and made the click. We didn’t see the sun today at all…
Nikon Z6II, Nikkor Z 24-70, f/4 S, @ 70 mm, 1/1250 s, f/10, ISO 200
A second round of photos from last weekend’s trip to the Northwoods of Wisconsin. Our friend Bryan built his cabin near this remarkable tree. I have photographed it, but never during a snow storm before. Actually I wasn’t really motivated to go out and wade through the deep snow to get the tree from this angle. Instead I just played with the camera and shot this image through the glass of a window.
As mentioned yesterday already, no snow stuck to the trees for long due to the high winds, but I think with its toning and long shadows the photo still tells the story about a very cold winter day up north on the frozen tundra.
The question came in, “how was the ice fishing?” I guess, this picture tells it all. What you see is the black tip of the flag that goes up when a fish bites. The orange stick is just for safety, so no stranger drives over your fishing hole accidentally. The photo was shot with an iPhone 12 after I had already removed my three tip-ups from the ice. Our friend Doug had his fishing gear still out when I snapped the pic. We all cleaned the drilled holes in the approximately 15” (38 cm) thick ice quite often to prevent them to freeze over, but the drifting snow covered the depression and the tip-up within minutes. It was faster then I have ever seen it in 17 years of ice fishing fun. We had a few flags going up and it was never because of a serious bite, just triggered by the icy winds. Yield of the day, one Bluegill, caught by Bryan’s son Clayton with a jigging rod at a hole next to his truck. Experience means nothing while ice fishing… 😆
Frozen Popple River, Forest County, Wisconsin
Last weekend was the annual ice fishing trip with friends in the Northwoods of Wisconsin. Very cold temperatures are not unusual up there but due to an icy wind we actually limited our time on the ice to only a few hours. Instead we scouted some lakes we had never been before and checked them out for future ice fishing adventures. Beside all the other fun we had I used this opportunity for some photography while driving through the woods and across the frozen land. Our host Bryan, who has a cabin up there, knows the area very well. I was happy that he stopped at a location I had been before several years ago and always wanted to revisit for some better images.
Both photos were made from a bridge across the frozen Popple River. Fresh snow fell the night before but unfortunately the wind blew most of it off the trees. I liked how the shore lines lead the eye into the backcountry. The Nikkor Z 24-70, f/4 S lens was used the whole time and I was very pleased how the Nikon Z6II performed under sub-zero conditions (-4ºF, -20ºC). A considerable wind chill made shooting quite a challenge and everything had to be done fast. There are of course gloves in my pockets that would allow shooting for a while, but I still prefer to use bare hands while operating the camera. Nice to have a warm pickup truck as a backup when the fingers start to get frozen stiff…😉
Cottonwood with fall colors, Jemez Mountains, New Mexico
I’m heading out to the icy Northwoods in Wisconsin soon for the weekend. I thought looking at a photo with warm fall colors may help to keep the spirit up during the height of winter… I hope you enjoy.
Medicine Rocks at sunset, Montana 2020
Streamlining and maintaining my photo library is always an ongoing project, especially during winter time. Some of our images just beg to be processed and we publish them immediately, and that’s great. Others need some time before we discover the potential of the image. And last not least there are always photos, mostly older ones, that can’t hold the quality standards I have today and will just be treated with the delete key of the computer keyboard.
With today’s photo I go back to 2020. Medicine Rocks in eastern Montana was a mesmerizing place to pitch the tent and inhale the feeling of the beautiful Wild West. It has been a sacred place for native people since hundreds of years and it bothers me how some individuals disrespect the fact and carve, whatever they want, into the soft stones of Medicine Rocks. I usually never alter the context of my photos, but here I admit, the stupid carving of a name into the rocks was eliminated while processing the final image.
It was a beautiful evening and the setting sun put a nice glow on some rocks, while others were already in the shade. In one of my blog posts about Medicine Rocks from October 2020 I posted already a color version of this image. So this is clearly a “group 2” picture, because I needed some time to discover the potential for a black and white version. You may not agree but I like it actually better.
Little Maquoketa River, only a few yards away from meeting the Mississippi River. Nikon Z6II, Nikkor Z 24-70, f/4 S, @ 70 mm, 1/200 s, f/11, ISO 100
You bet, I will post my little photo stories from the mighty Mississippi River here in eastern Iowa, or from the Wisconsin or Illinois shore on the other side, again in 2022. Today’s photo was made during a really late “lunch walk” with our dog Cooper. At 2PM the sun is already getting low during this time of the year, creating shadows and reflections that would not be there any other time. John Deere Marsh, the wetland preserve behind the big Deere factory, north of Dubuque, Iowa, was mostly created by the powers of two rivers, the Mississippi and the much smaller one that has carved out the valley below our house, the Little Maquoketa River. The image was made just a few yards/meters away from the confluence of these two streams. We love to paddle the Little Maquoketa River upstream with our kayaks during the summer. Here, near the confluence in the Mississippi Valley, it is twice as wide as it is below in the valley of our residence, only a few miles west. The river is mostly calm and just a wonderful place to be at any time of the season. I know, “high noon” and the hours around it, are not a great time for landscape photography. Quite often I do the “noon walk” with Cooper without even taking the camera strap off my shoulder, but sometimes there is a click to make, as it was today…
Twilight at Elephant Butte State Park, New Mexico
I wish all visitors and friends of my website and blog a happy and healthy year 2022!
Mississippi River at Mud Lake Park and Marina, Iowa
I found a book under the Christmas tree, “Light on the Landscape” by William Neill, one of America’s most respected landscape photographers. It is a coffee table-style book with 128 wonderful photographs and comes with lessons incorporating photographic fundamentals, like light, composition, or exposure, but also other aspects, including nature stewardship, inspiration, self-improvement, and others. I just started reading but I’m already fascinated. One of the chapters talks about becoming a student of light and in particular at your own favorite locations over a long period of time.
For me one of these locations would be the entrance to the little marina down at Mud Lake by the Mississippi River. I have published many pictures from this vantage point on a dike and wrote about in the blog more than once that the light is never the same. There are times when I’m not even bother to take the camera out of the bag and others when I run to the end of the dike with the camera after getting out of the car, because light can change very quickly. I go to Mud Lake Park with our dog Cooper at least once a week, but even if no pictures are made, I always try to analyze why some things work and others don’t.
Same vantage point as the photo above but looking south. The main channel is behind the dike on the left. The backwaters of Mud Lake are one of our favorite places to paddle the kayak during the warm season.
William Neill writes about becoming an expert on a particular location. This may not fit a description about me yet, but any time I’m there I study the lighting conditions that occur, and absorb the beauty of the mighty Mississippi.
Today we had a pretty uniform overcast with no directional light but the different patches of snow, ice, and water created patterns that reflected the light in different ways and that we can see only at this time of the season when the river freezes over.
Nikon Z6II, Nikkor Z 24-70, f/4 S
John Deere Marsh, Mississippi River, Dubuque, iowa
The trees at John Deere Marsh, down at the Mississippi River, had a white coating after yesterday’s snowfall. The temperature had dropped quite a bit overnight (-14ºC / 7ºF) and the snow was clinging to almost everything. Part of the marsh is still very dry and doesn’t have much water, due to little rainfall last summer. Normally we wouldn’t see that much vegetation still standing and ice would cover the area up to the tree line. As so often, I document weather and climate related changes but still try to do it with an artistic touch.
I focussed on the dead tree in the middle ground with a wide open lens, knowing that foreground and background would render just graphic impressions out of focus, when suddenly the element of surprise came into play. While looking through the viewfinder and zooming with my feet, back and forth, left and right, a male Northern Harrier came buoyantly gliding into the frame. I can’t think of another bird of prey, except for certain owls, that is a better representative for the marsh and wetlands than the Northern Harrier. Their owl-like facial disk helps them with directional hearing to locate their prey. At this time of the year they rely mostly on rodents and birds
The Nikon Z6II is capable to combine multiple shots into one picture but the time was way too short to make a change in camera settings of that magnitude. However, I made three clicks, with the second one the photo you see here. In Adobe Photoshop I copied just the bird from the two other images into the final picture, at the same spots as in the originals. Now you have an idea how this story developed within one second in my viewfinder.
The detail obsessed viewer may see more in the photo. At the tree line in the back is a huge Bald Eagle nest. An eagle is guarding it and maybe we see them breeding again next year at this location.
Mississippi River, Brownsville overlook, Minnesota, Nikon Z6II, Nikkor Z 24-70, f/4 S, @ 70 mm, 1/640 s, f/8, ISO 100
Finally some much colder nights hit the Driftless Area along the Mississippi River. I drove back from a customer visit up north on the Minnesota and Iowa side of the river today. The bays and backwaters with no or little current freeze over very quickly and I saw some people even ice fishing, which seemed a little risky. I stopped at the Brownsville overlook, Minnesota, the same spot where I watched and photographed thousands of migrating tundra Swans less than four weeks ago. If you missed these pictures you can click on the link HERE to still see them.
The swans have of course moved on to the Atlantic coast and the bay is frozen over. It was the sunlight coming through the clouds and reflected on the ice that made me stop. As you can see, we don’t have snow on the ground and it looks like for the first time in 18 years we will not have a white Christmas…
Moonrise over Green Island Wetlands, Iowa, Nikon Z6II, Sigma 150-600mm / f5-6.3 DG OS HSM S, FTZ adapter, @ 340mm, 1/1000s, f/8, ISO1600, 4 images merged in Adobe Photoshop
Last Saturday the moonrise was less than half an hour before sunset. While I was out in the Green Island Preserve, hoping to get a glimpse on some Short-eared Owls during dusk, the almost full moon illuminated the landscape, with a little bit of light left from the sun that had just disappeared behind the horizon line minutes ago. Unfortunately no owl showed up this time. An ISO setting of 1600 would still have allowed to freeze some owl action at about 1/1000s but some luminance noise in the picture was inevitable. The trick was to shoot 4-5 subsequent pictures while handholding the long lens. Later at home, in front of the computer, the 4 pictures were merged (stacked) in Adobe Photoshop into one image. Since luminance noise is randomly distributed in each picture, it would disappear in the final photo. I liked how the vertical lines of the tree trunks at the bottom were emphasized, but overall the impression of a dreamy landscape was still left. Shooting this from a tripod is probably the better way to do, but how would I have caught a Short-eared Owl in case I had seen one? Photography is often about compromise…
Liberty Lake, Oklahoma, Nikon D750, Nikkor 70-200mm / f4, @ 92mm, 1/2000s, f/4, ISO100
It may not be the last picture from our recent trip through New Mexico that I will post here in the blog but it was one of the last photos of the journey. On our way home we stopped for the final night at Liberty Lake, just north of Oklahoma City, OK. A peaceful sunset like this was the perfect moment to unwind after a day with nothing but long distance driving.
Sand ripples, White Sands National Park, New Mexico
It is easy to get carried away by colors, shapes and details, or the beautiful vistas of a landscape as we can find it in White Sands National Park, New Mexico during a first visit. Sure, I make my good share of documentary shots, like any other tourist, but at the end of the day I’m always asking myself, what did I miss, what is the story that can be embedded into a piece of photography art? Having this in mind while going back to a location another day always helps to get a little bit closer to an answer and maybe to a result that gives more satisfaction than anything captured during the first visit.
I know, many viewers today can’t find anything in a black & white photo anymore, but for me it often boils down to the KISS acronym, keep it simple stupid. The wind shaped dunes are always in motion, shadows can be different from one moment to the next in the ever changing light. What more do I need to photograph the essence of White Sands?
Again, a few more impressions from two visits at White Sands National Park, New Mexico
White Sands National Park, New Mexico, Sacramento Mountains in the background, Nikon D750 + Carl Zeiss Distagon 35mm f/2 ZF T*
As further south we drove in New Mexico last October as more grew my excitement about a destination we had pinpointed on our route. White Sands National Park preserves half of the worlds largest gypsum dunefield, located in the Tularosa Basin, between the San Andres and Sacramento Mountains. It is a fascinating landscape that offers so much for any photographer and nature lover.
Colors in the desert, Nikon D750 + Nikkor 70-200, f/4 , @70 mm
I took only two lenses with me while we walked and hiked in the dunefields during two late afternoon trips in the national park. Most of the time I had the Nikkor 70-200, f/4 on camera. Without switching lenses I was able to make quick decisions between scenes that included the curves and structures of the dunes or detail shots, like solitary trees or yucca plants. The other lens was the Carl Zeiss Distagon 35mm f/2 ZF T*, a manual focus lens that I love to employ in landscapes like White Sands NP because of its excellent sharpness and color rendering. The lens changes were not so critical as in other desert areas we have been before. Compared to other dune types the gypsum dunes remain moist even during a long drought. However, we avoided to go there during a sand storm the day between our two visits. Sand in the gear is bad news!
Dunefield near sunset, White Sands NP, New Mexico, Nikon D750 + Carl Zeiss Distagon 35mm f/2 ZF T*
Soaptree Yucca, Nikon D750 + Nikkor 70-200, f/4 , @130 mm
