THE NEW “SHOOTING GALLERY”


Tufted Titmouse

Almost “T-shirt weather” and great light made me spent some time behind the camera on our front porch this late afternoon. As mentioned in my last blog post, there is a new “shooting gallery” in place, a little rack that holds a heated bird bath, a few bird feeders, and a couple dead red cedar trees (or at least parts of them), that serve as perches, and of course the places where I would like to make a photo. It is mobile and can be moved to a different location if I see a need for doing so. The idea behind is that I like to use “the gallery” during the “real winter” here in eastern Iowa (for my friends in South Africa and Germany: -20º to -50ºC), means having the camera on a tripod in the house and the birds still right in front of me. Right now I have my doubts that we are already in November, but there is no reason to stay inside and today we had about 22ºC (72º Fahrenheit). Oh yeah, people and animals enjoyed it the same way!

Black-capped Chickadee

Black-capped Chickadees are omnipresent all year long in our woods and it was also a great year for the Tufted Titmouse. We saw a lot of juveniles in late summer but now it is a little more difficult to tell what bird is an experienced adult or offspring from 2020. To be honest, it doesn’t really matter, we enjoy frequent visits of any kind of bird and both species are great to find out about the best settings for the new “shooting gallery”. I hope you enjoy and have a wonderful weekend.

NATURE CLICKS #473 - RED-BREASTED NUTHATCH


In my presentations about “Story telling in wildlife photography” I always emphasized to start shooting in your own backyard, garden, or anywhere around your place of living. That hasn’t changed and recently I made a few improvements to my own front yard “shooting gallery”, means the arrangements of bird feeders, bird baths, landing and perching places the birds can use during the cold season. Since we came back from our vacation about mid September we watched two Red-breasted Nuthatches that became frequent visitors in our yard. This seemed to be a little early, but however, they were some of the first birds that trusted the new arrangements and rewarded me with some great opportunities for making a click. Regarding light, the place is ideal during the hour before sunset, most likely also the time when I’m done with my day job and when undivided attention to the bird traffic is possible. The Red-breasted Nuthatches never remain much longer in a spot than 1-3 seconds, not always enough time to predict the shot, obtain focus on the bird, and finally make the click. I love when it works out and light, color, and gesture tell the story of this beautiful bird that may hopefully spend the winter here in eastern Iowa.

MEDICINE ROCKS - AFTER SUNSET


One of the numerous rock formations in the state park that are sacred to Native Americans, September 2020

It’s election day here in the US and most people have probably other things to do than browsing through photography and nature websites tonight. But if your blood pressure needs some adjustment, stop right here and have a look at this peaceful scene, shot after sunset in Medicine Rocks State Park, Montana. 😉

Nikon D750, Nikkor 70-200mm / f4, Induro GIT 404XL tripod, RRS BH-55 ball head,   @70 mm, 1/160s, f/5.6, ISO100

NATURE CLICKS #472 - NORTHERN LEOPARD FROG


Northern Leopard Frog, Mississippi River, John Deere Marsh, Iowa

I will still post a few more photos from our trip in August / September but today it’s time for a picture I shot this week. It became a habit to take our little dog Cooper for a walk to one of the nature places in the neighborhood during my lunch break. This week I was twice in the John Deere Marsh, a wetland and marsh area at the confluence of the Little Maquoketa River and the mighty Mississippi. The birds didn’t cooperate on Wednesday and as we returned back to the parking lot I only had made one click of some American Coots, who slowly migrate south at the moment and spend some time in this area.

The discovery of a Northern Leopard Frog, nicely sitting on a weathered log that obviously was left from a flood of the Mississippi River some time ago, made up for the lack of birds. The blurred reeds in the background give a sense of location and the weathered, partly black and partly bleached driftwood makes some contrast to the warm colors of the Leopard Frog. Went back to the car with a smile on my face…

Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM S, @ 600 mm, 1/500 s, f/6.3, ISO 320

MEDICINE ROCKS - FINALLY THE MILKY WAY


It wasn’t until almost the end of our trip that it was possible to make a night picture that included the Milky Way. We had many clear nights and light pollution by human-made light sources was very little most of the time in the Dakotas and Montana. But it was the moon that came up every night, bright and beautiful, that cancelled every effort. Finally at Medicine Rocks in Montana we were able to see and capture a little more of the universe we live in. I tried exposure times between 15 and 30 seconds and ISO settings from 3200 to 6400. Only for a few shots I went vertical with the camera but at home, in front of the computer screen, I found that these photos work actually better than all the images in landscape orientation.

Nikon D750, Nikkor 16-35mm / f4, Induro GIT 404XL tripod, RRS BH-55 ball head, Vello cable release,   @16 mm, 20 s, f/4, ISO6400

MEDICINE ROCKS - A PHOTOGRAPHER’S PARADISE


Our last “base camp” during the trip in eastern Montana was in Medicine Rocks State Park. Medicine Rocks is a series of sandstone pillars with eerie undulations, holes, and tunnels in them. The rocks are considered a sacred holy place by Plain Indians. Archaeological evidence indicates that there has been human habitation at or near Medicine Rocks for about 11,000 years. Many Indian tribes resided there permanently or temporarily. (source: Wikipedia)

I could write a lot more about a place like this but I trust you know where to find more information if you are interested. All what I can say is, it is a photographer’s paradise for landscape and night photography.

On a sunny day the hours around sunrise and sunset are again your best times for exploring this 330 acres (130 ha) area with the camera.

NATURE CLICKS #471 - WOODHOUSE’S TOAD


Woodhouse’s Toad, Makoshika State Park, Montana

This was a new species for us that we discovered in Makoshika State Park, Montana. Here in Iowa this toad can be found only in the very western part of the state, while they are not uncommon in many other states further west. I did what I always try to do, take a few “safety shots” from the side and slightly above for later identification and then work with the critter from a better perspective. Lying on my stomach and having the camera on eye level with the toad leads to a much better photo that puts the viewer into the world of this animal. I don’t move an animal to a different place for a better shot and dealing with the grass for an unobstructed view is part of the challenge to make the click. The Nikkor 24-120, f/4 was the lens of choice because it allowed me to get much closer to the toad (minimum focus distance 0.45 meter / 1.5 ft). The 70-200, f/4 has more focal length but the minimum focus distance is 1 meter / 3.28’ ft. Less distance equals fewer grass stems. It was an easy decision…

Woodhouse’s Toads are mostly nocturnal and feed on insects and small invertebrates. It wasn’t quite dark at 6PM but maybe the toad was on its way to a new hunting ground. No matter what it is, but we are always happy to find a new animal species that hasn’t been on our radar.

BIRDS AT MAKOSHIKA


Orange-crowned Warbler, Makoshika State Park, Montana, September 2020

Wherever we go on vacation we always keep track what kind of birds or critters we see, even if not every encounter leads necessarily to a photo opportunity. A place like Makoshika State Park in Montana, with Pondarosa pines, red cedars, grasses, and shrubs provides food for many birds and other animals. We had a remote campsite on a ridge above a canyon and many tree tops were on eye level. This gave us a good position and view for birds who may have been otherwise high above our heads. This sounds easy but the biggest challenge was to manage the harsh light. Other than that, you can sit in your camping chair, read a book, and just wait until warblers, kinglets, or nuthatches show up. Most of the time you hear them way before you see them…

Red-breasted Nuthatch

Red-breasted Nuthatch, All photos: Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM S, Induro GIT 404XL tripod, Induro GHB2 gimbal head

MA-KO’-SHI-KA


During the height of a day areas of badlands do not always reveal their beauty completely. This is in particular true for days with a lot of sunshine and hazy weather conditions. That wasn’t any different at our next destination, Makoshika State Park in eastern Montana. It is the largest state park in Montana (11,538 acres, 46.7 square kilometer) and the name originates from the Lakota phrase Ma-ko’-shi-ka, meaning ‘bad land’ or ‘bad earth’. The park is not just known for its badland formations but also for fossil remains of Tyrannosaurus Rex, Triceratops and others. (source: http://stateparks.mt.gov/makoshika/)

Getting out of the sleeping bag at dawn and having the camera ready before the first rays of sun hit the rocks isn’t always easy, but there was no regret when the warm light started filling the canyons below our campsite.

All images: Nikon D750, Nikon Nikkor AF-S 70-200mm, f/4G ED VR

MOON AND CLOUDS IN MOTION


Moon light and clouds over Little Missouri National Grassland, North Dakota

Most nights during our trip out west we had moon light giving the landscape some shape. That was great and led to opportunities for night photography. The downside, as everybody knows, is making the Milky Way the subject of an image, this was not an option, except for the days at the end of the trip.

We had this National Forest campsite just outside of Theodore Roosevelt National Park almost for ourselves. When the moon light touched the fence, that was there to keep the cattle out, and clouds moved fast across the sky, I tried a 69 second exposure to make the dynamic in the sky visible. The light reflected by the fence leads into the picture. The stars show already a little trail. I have more photos with shorter exposure time and blending two pictures together would be an option, but I still like how this turned out.

NATURE CLICKS #470 - NORTHERN BOBWHITE


Male Northern Bobwhite, Durango, Iowa

I had actually planned to continue with more photos from our trip through the badlands of the Dakotas and eastern Montana but yesterday the sighting of a Northern Bobwhite got me all excited. The first and last time I had one of these “New World Quails” in front of the lens was in May 2007, just a month after I started shooting seriously digital with a Nikon D200. The Cornell Lab Website ALL ABOUT BIRDS writes:  Bobwhites have been in sharp decline throughout the past half-century, likely owing to habitat loss and changes in agriculture, and they are an increasingly high priority for conservation.   I guess I can confirm the fact of decline in population!

The bird is easy to identify and when I saw this male crossing the road while driving downhill into our valley I hit the brakes hard. Driving with the camera in my lap and the bobwhite posing nicely for a few seconds, I got the shot. Unfortunately I had only 200 mm focal length, hence that cropping of the photo was employed.

This wasn’t really far from our neighborhood and I wonder if the population of the Northern Bobwhite here is larger than I thought. I’ll keep my eyes open…

LOVE FOR THE SEASON


Road to Finleys Landing at the Mississippi River, @ 200 mm, slightly cropped

It doesn’t take much to have some love for the fall season if you use a camera and capture the colors and moods of autumn. The haziness of the summer is gone, the air is often crisp and clear, and most important, the quality of light at this time of the year is in your favor. Strong winds and a little bit of rain have stripped off a lot of leaves during the last few days but fall colors ares still out there. It just takes a slightly different approach during the shooting, and also in post process, to make light, color, and shapes of the foliage still the subject of the photo and keep the clutter of already bare branches suppressed in the photo.

I have four pictures today, all from last week, all with the same kind of subject, all shot with the Nikon D750 and Nikkor 70-200, f/4 lens, but each made with a different distance and angle of view. Please let me know what you think. I like to hear if it helps your photography and if you prefer a particular way to tell the story about fall colors with your own photos. Every contribution will get a reply. I love to hear from you!

Bankston County Park at the bottom of the valley, @ 105 mm, slightly cropped

Closeup shot at Whitewater Canyon Wildlife Area, Iowa, @ 160 mm, ~40% cropped for a different aspect ratio

Near Bankston County Park, Iowa @ 200 mm, cropped at top and bottom for less boring blue in the sky and distracting dead branches at the lower part of the image

FALL COLORS AND LIGHT


Hard to believe that was already a week ago. The Dubuque Camera Club had invited to a little photo walk at Eagle Point Park in Dubuque, Iowa. The park is high up on the bluffs above the Mississippi River and lock & dam #11. It is tempting to shoot only the great vista across the river, but with the low sitting afternoon sun I thought the fall details in the park deserved our attention as well. There is a small pond, built from big limestone rocks and that’s where I found the most inspiration.

It was an afternoon well spent, with good conversation and I can’t imagine that anybody who participated didn’t have fun shooting the colors and light of autumn.

FALL COLORS - NORTHEAST IOWA AT ITS BEST


Turkey River, near Motor Mill, Iowa

The five photos I show you today don’t need a lot of text. Gorgeous weather and fall colors probably at their peak last weekend in Northeast Iowa. We pitched the tent for a night at Motor Mill along the Turkey River. Finding the colors wasn’t the problem, finding a way to let the light tell the story is the challenge that is left to us…

As always, a click on each photo gives you an enlarged view.