SPRING ENCOUNTERS

Cedar Waxwing

After quite a bit of traveling lately it feels good to sit on the porch in the morning with a cup of coffee on the table and spend some time behind the camera. We had some really warm days in February already but this was the first weekend that felt really like spring, with lots of sunshine and very warm temperatures. During the last couple of weeks, after our return from Oregon, several migrating birds have arrived, some earlier than usually. Among them are Eastern Phoebes, Ruby-crowned Kinglets, Chipping Sparrows, Eastern Bluebirds, and this morning the first House Wren inspected our nest boxes. At the other hand, a couple species are still present that normally leave our woods and move further north as soon the temperatures are above freezing, like Dark-eyed Juncos and Purple Finches. A trend we have seen already during the last three years and that makes me wonder if we experience a change in migrating behavior due to much warmer winters. I make notes every spring since 2007 beside recording first sightings of the season with the camera.

The most colorful bird I had in front of the lens today was this Cedar Waxwing. They are supposed to be here all year long but we don’t see them very often during the cold season. Their appetite for cedar berries during the winter gave them obviously their name. Since we have red cedars here on the bluffs above the Little Maquoketa Valley, the waxwing’s appearance is not really a surprise.

LIFE IN THE TIDE POOLS

Sea anemones

I was at a conference in Dallas, TX this week and a busy schedule prevented that time was spent behind the camera. Luckily I still have a number of pictures from our trip to the Oregon coast I like to share with you.

Clams and snails in a color reach environment

It took a few days before we had the conditions that we were looking for to explore the life and beauty in the tide pools. It needs of course a low tide at a rocky beach and the colors can be revealed if the sun shines at least a little bit. A polarizing filter in front of the lens works great for eliminating most of the glare on the water and for revealing the colors on mussels, clams, sea anemones, crabs and whatever else we found.

Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, f/4, Tiffen Circular Polarizer,  @ 200mm,

Hermit Crab inside shell of a gastropod snail

Sea star left on the rocks at low tide

A NOISY BUNCH (SEE THE VIDEO)

California Sea Lions, Newport, Oregon

Back to our trip along the Pacific coast in Oregon. You have not seen Newport if you didn’t see the sea lions in the harbor. From late August through early June adult and juvenile male sea lions can be seen on the docks of the Newport harbor. The females stay in California waters all year around. During the summer months male sea lions migrate south to join the females for their breeding season. (source: information board at the Newport harbor)

You don’t need a map to find them at the harbor, just follow the barking noise. There is a constant pushing and shoving going on while competing for space on the docks. Feel free to click the video below to hear and see the noisy bunch.

Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, f/4,  @ 200mm

THE LONELY GUY

Greater Sandhill Crane, Mississippi Valley, Green Island Wetlands, Iowa

During yesterday’s trip to the Green Island Preserve I found only one Sandhill Crane. This is not really a surprise, we are stopover territory and most cranes breed further north and have probably moved on already. We do have some breeding pairs here in eastern Iowa but this bird had obviously no mate yet, maybe it is still a bit too young. Since I saw a Sandhill Crane already two month earlier in the same area I wonder if this is the same bird and it may have some impairment. I haven’t figured out that yet since I can’t be there every day to keep track.

Photographically it was the same approach as in yesterday’s image. The 1.4x teleconverter was employed and the camera was set to DX mode, delivering the same angle of view as a 1275 mm lens. I cropped the picture a little bit on the left and right hand side to keep more of the muddy mess around the bird out of the frame.

Nikon Z6II, Nikon FTZ adapter, Sigma 150-600mm / f5-6.3 DG OS HSM S, Sigma APO Teleconverter 1.4x EX DG, @850 mm (1275 mm DX mode), 1/2500 s, f/9, ISO0800

UNTIL THE LIGHT WAS GONE

Greater Yellowleg, Mississippi Valley, Green Island Wetlands, Iowa

The weather this week was not very pleasant, with temperatures around the freezing point, rain, even a little bit of snow, and almost no sun in the sky.This changed finally today and I could realize my plans going for some wildlife shooting to the Green Island Wetlands in the Mississippi Valley this evening. All the clouds disappeared and the best thing was that the air stayed relatively cool, means it was clear and the often feared heat shimmer above the surface of the wetland didn’t occur. With other words, great shooting conditions.

I saw lots of ducks, mostly Wood Ducks and Northern Shovelers, of course Canada Geese, Bald Eagles, the local Northern Harrier, and a small number of Tree Swallows. But the most exciting encounter were three Greater Yellowlegs. These migrating sandpipers were feeding in the shallow water at Green Island but they were quite a bit away. By attaching the 1.4x Teleconverter to the lens my focal length went up to 850 mm. This seemed still not close enough and I set the camera to ”crop mode”, which uses a smaller part of the sensor only, but gave me the equivalent of 1275 mm focal length. I thought without heat shimmer, as often present at this time of the year above the water surface, I can try it and had indeed quite a few sharp images.

Before driving back home I headed to the gravel road on the westside of the wetlands and found another Greater Yellowleg foraging in the water that covered the field below after the rain. The sun was setting behind me and the bird still searched for food and flew away only after all direct light was gone.

Nikon Z6II, Nikon FTZ adapter, Sigma 150-600mm / f5-6.3 DG OS HSM S, Sigma APO Teleconverter 1.4x EX DG, @850 mm (1275 mm DX mode), 1/1250 s, f/9, ISO800

HAYSTACK ROCK AT ANY WEATHER

Haystack Rock, Cannon Beach, Pacific North Coast of Oregon

The coast of Oregon is not a place that has sunshine all the time, especially at this time of the season. There were quite a few hours during our explorations and hikes along the shore when the colors were muted. But rain, fast moving clouds, and the surf on these stormy days created drama and the question I asked myself was, how can I make it visible in my photos? Seeing in black and white and envision how the final picture may look needs practice and I certainly could use some more of that.

The photo was made at low tide in the town of Cannon Beach. The iconic Haystack Rock attracts many people and it has been photographed probably several million times before. I did not go too low with my tripod because I wanted to have a bit more of the surf in the frame. To give the waves a sense of movement and keep the mist in the air visible I exposed 2 seconds at f/7.1. I tried longer and shorter times but this seemed to lead to the most harmonious results. The pattern in the sand changed quickly and it required reposition of the camera several times for some lines with reflections and shadows. Crushing waves broke frequently on this basalt sea stack and I was able to capture one of these moments. Who says you can’t make a photo on a stormy and rainy day…? 😉

Nikon Z6II, Nikkor Z 24-70, f/4 S, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head,   @ 52 mm, 2 s, f/7.1, ISO 100

YAQUINA HEAD

Yaquina Head Lighthouse, Newport, Oregon

One of my favorite locations we visited at the Oregon coast last week was Yaquina Head with its lighthouse and rocky sea stacks all around. It is a great place for bird watching and offers many different angles for having some photography fun.

Colony Rock is a great habitat for thousands of seabirds. We saw Common Murres, Pelagic Cormorants, lots of Western Gulls, and some other species.

Western Gull on a rocky cliff

The lighthouse guides ships and their supplies along the west coast since the light was first lit on August 20, 1873.

View to the North Coast from Yaquina Head

NATURE CLICKS #571 - COMMON MURRE (FIRST SIGHTING)

Common Murres, Yaquina Head Outstanding Natural Area, near Newport, Oregon

Our trip to the coast of Oregon was still a little too early for a big deal of bird photography. Nevertheless, we had a few good encounters and some of them were first sightings for us. The Common Murre nests on sea cliffs above the ocean and we found them on the cliffs at Yaquina Head Light, north of Newport, OR. During breeding season they lay one egg directly on a ledge without adding nesting material. The Common Murres feed mostly on fish, squid, or octopus and catch their prey in the bill during deep dives. They use their wings for propelling themselves and can remain underwater for up to one minute. These birds look a little bit like penguins with their tuxedoed look, but they are relatives of auks and puffins.

I had plenty of images already on the memory card when suddenly this flock took off and moved to a different cliff below the lighthouse in the Yaquina Head Outstanding Natural Area.

Nikon Z6II, Nikon FTZ adapter, Sigma 150-600mm / f5-6.3 DG OS HSM S, Sigma APO Teleconverter 1.4x EX DG, GITZO tripod GT2931 Basalt, Induro GHB2 gimbal head,   @ 850 mm, 1/5000 s, f/9, ISO 1250

TEMPERATE RAINFOREST, GOOD FOR THE SOUL

Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, f/4, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head  @ 70 mm, 0.5 s, f/14, ISO 100

The landscapes along the coast of the Pacific Northwest have many things to offer for nature lovers and photographers in particular. From sandy beaches to sea stacks, the big rocks standing in the water, to a great variety of birds and sea animals. I’m always fascinated by the temperate rainforests along the coast with their gigantic trees and lush vegetation, including ferns, moss, and lichens that cover much of the forest. After a winter in the Midwest this green environment is good for the soul!

Munson Creek Waterfall, near Tillamook, Oregon

Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, f/4, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head  @ 70 mm, 1/30 s, f/13, ISO 100

We drove a few miles inwards to see Munson Creek Falls, the tallest waterfall along the Oregon coast range (319 feet / 97 m), which is surrounded by beautiful forest. Due to a road closure we hiked a little longer as planned to get to this waterfall but every bend in the trail revealed new and interesting views. Very little light hits the bottom of the valley and it doesn’t require a neutral density filter to show some motion in the flowing water of the waterfall or Munson Creek. A tripod is of course recommended for such photos.

A CLASSIC VIEW

Cannon Beach with Haystack Rock, Ecola State Park, Oregon

This classic view from Ecola Point down to Cannon Beach, with the iconic Haystack Rock in the back, has been on my list of locations I like to visit since a long time. I’m glad we did it in the afternoon a couple days ago because the evening sky was filled with nothing but gray clouds again later in the day.

Nikon Z6II, Nikkor Z 24-70, f/4 S, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head,   @ 36 mm, 1,6 s, f/10, ISO 100

REFLECTIONS AT LOW TIDE

Reflections at low tide in Rockaway Beach, Oregon

On our first day traveling along the coast of Oregon we scouted and explored the northern part and finally unpacked our luggage in Rockaway Beach, a small but somehow charming community. During a short walk at low tide on the beach we finally saw the sun and lots of color replaced the gray that made most of the day. What a photo can’t transmit is the smell of the ocean, but I hope you get the idea that we had a marvelous time. Fresh cod and other seafood, combined with a local India Pale Ale, are hard to beat for a dinner that followed this walk on the beach… 😊

Nikon Z6II, Nikkor Z 24-70, f/4 S,   @ 40 mm, 1/400 s, f/10, ISO 200

MEMORABLE MOMENT

Double rainbow above North Portland Harbor, Columbia River between Washington and Oregon

There is no better way to start a spring vacation at the coast of Oregon than with a photo of a double rainbow and some killer light on the house boats across the Columbia River in Portland, OR. We were eating dinner and enjoyed a good West Coast beer in the restaurant of our hotel last night when this act of nature unfolded, just outside of the window. We dropped fork and knife immediately and ran out onto the hotel terrace with the camera in hand. Other people saw obviously the potential for a good shot with their cell phones and followed us shortly after, and even our waitress stepped outside and enjoyed the play of light.

The warm colors of the houses in the setting sun on Tomahawk Island in the Columbia River would have been a great subject by themselves, but the two rainbows after a mostly rainy gray day made it a memorable moment… More to come, so please stay tuned.

HOW MUCH POST PROCESSING?

Buildings right to left: partly only Marina City (architect: Bertrand Goldberg), IBM Building (architect: Mies Van der Rohe), Trump International Hotel & Tower

Tonight I gave a little presentation at the meeting of the Dubuque Camera Club about how I process most of my wildlife photos. Beside necessary adjustments, like noise reduction, RAW sharpening, spot removal, or maybe sometimes some cropping, only small tweaks are applied to get the best out of the RAW file. I don’t change much at all on the wildlife. If the picture is not sharp or totally wrong exposed, the photo lands in the trash can or will never be published if I want to keep it for documentary reasons in the picture library.

A lot more efforts can go into a photo like this shot from last week in downtown Chicago. The photo was made through the glass of the hotel window (we were only on the 9th floor but you can’t open these windows) and it took some efforts to overcome all the challenges. From the distortion of the glass and the dust on the window, to the perspective that you can’t really change much while shooting from a hotel room, I may use all the great tools of Adobe Lightroom or Adobe Camera RAW to end up with a usable image.

”Transform” was used to correct perspective problems created by the lens, ”Dehaze” for eliminating the effect of a not so clean window, and other adjustments to enhance contrast or color contrast. The limits are only set by your own vision for the final image.

LESS IS MORE…

I can’t deny that I love architecture that is comprised by the use of glass and steel. Ludwig Mies van der Rohe, a German-American architect and pioneer of modern architecture has created several iconic buildings in Chicago after his emigration from the Nazi regime in Germany to the United States. I do not know who designed this modern apartment complex in downtown Chicago, but the design was maybe influenced by Mies van der Rohe’s architectural mission and principles. I loved what I saw when I had the building in the viewfinder of my camera and in particular the reflections of the clouds on the glass surfaces and the contrasty appearance overall. I admit, it was a ”shot from the hip” while walking from the hotel to a favorite dinner restaurant yesterday evening. There was a lot of blue in the frame, from the sky and bounced back from the glass surfaces. Mies van der Rohe is often associated with the fondness of the aphorism "less is more” (source: Wikipedia), and that’s what I remembered when I decided to render the image in B&W. It just reflects my own vision of modern architecture photography.

I know, some friends and followers of my blog asked, what’s going on, where are your latest photos about nature at spring time? Well, the duties of my regular job keep me very busy at the moment and a home improvement project took the rest of the time during the last couple weeks. Some new things will come soon, so please stay tuned…

PORT WASHINGTON BREAKWATER LIGHTHOUSE, FIRST TRY

Port Washington Breakwater Lighthouse, Lake Michigan, Wisconsin

During business trips in the eastern part of Wisconsin I always enjoy a stop somewhere along the shore of Lake Michigan and especially if there is a lighthouse nearby. Port Washington Breakwater Lighthouse has been long on my radar but this week was the first time I was able to visit it. While heading east I started worrying long before I even saw the lake, due to the fact that I didn’t see a single cloud in the sky. Just a blue sky seems always a bit boring and it takes some thoughts to find a way to overcome what the ”beautiful” weather may present.

Walking on a pier didn’t leave many choices about getting lower or higher above the sea level. Putting the horizon line and the lighthouse on the left in places that go along with the ”rule of thirds” was a way to start this composition intent. So, now what? I saw a few gulls flying around over the entrance to the marina of Port Washington and waited until two of them filled the spot above the pier on the left and right. The birds don’t become the subject of this photo but the triangle between the two lighthouse points and the gulls make the eye go around in the photo. It’s definitely a picture that wants me to come back again during the hour before sunset and maybe we can see then a little more drama in the frame…