STILL LOVE THE RED FILTER


Approaching thunderstorm, Badlands National Park, South Dakota

If you camp out west in a small tent it is mandatory to have always an eye on the weather. This approaching thunderstorm turned out relatively harmless. It came with a little bit of lightning, not even close, and some rain for the night. Letting this opportunity to make a photo pass by was not an option. The question was, how to capture the drama in the sky?

Back in the days of black & white film a red filter in front of the lens was the way to go. We made the click and then waited for the results until the film was developed. Today with a mirrorless camera things are a lot easier. While shooting always in RAW format, all what it takes is to set the camera to B&W and include the settings for a red filter (or any other setting you may have in mind). In the viewfinder or on screen in the back of the camera we can then evaluate the results immediately and decide if it matches our vision for the final image. If not, we can always revert to the color data embedded in the RAW file and let our creativity go in a different direction.

The results for this photo match pretty much the settings I had used already in the camera. I like the drama a red filter can produce. Very little is tweaked in post process on the computer at home. The landscape doesn’t take the stage, just gets a hint of light, while the clouds are clearly the subject that tells the story of this evening ten days ago in the Badlands.