A SEASON IN PROGRESS

The water level in the Mississippi River drops since more than a week but is still not below flood stage. I could show you pictures of areas that are still flooded and are interesting for some people but I always approach even the documentary scenes with an eye on the light and colors that may not take center stage in a news paper story.

A little bit of rain during the last days took some of the blossoms down from the blooming trees. This carpet of freshly fallen petals drew my attention while going on a walk at the John Deere Marsh north of Dubuque, Iowa. Although not attached to a tree anymore, they still give us a sense of beauty and definitely tell the story that summer is just around the corner.

Nikon Z6II, Nikkor Z 24-70, f/4 S,   @ 70mm, 1/400 s, f/5.6, ISO 200

’WORK NIGHT’ WITH THE CAMERA CLUB

HOURGLASS / MONOCHROME

Monday evening we had a ’Work Night’ during the meeting with the Dubuque Camera Club. The club has acquired a set of three continuous LED lights and the members had a chance to try them out and play with different functions, color temperatures, and settings. It was a lot of fun and very interesting to see all the different approaches to work with a few items that some members had provided for this shooting. We can now use these lights for our own little and bigger projects.

The hourglass above is placed on a reflecting plate and was my favorite subject. At a serious product shooting you normally would avoid the reflections of the light sources on the glass walls, but I thought it added an interesting artsy-fartsy effect.

RUBIC CUBE / COLOR

The RUBIC cube was also very popular. The star effect on the glass plate is the reflection from an umbrella that was mounted in front of an LED light. The key for this shot was to hide the knob in the center of the umbrella behind the cube. The black & white version is actually the same photo as the color image above. I played with different B&W filters in Adobe Lightroom and was once more amazed how different the photo was rendered with each filter effect, even without any changes of exposure values. Back in the days I shot a lot with black and white film, but now, many years later I just start to understand what it really can do for my photography.

It was an interesting evening and interacting with the other members of the club during the shooting was a lot of fun. Thank you to Ron Tigges for preparing this and the set-up!

RUBIC CUBE / MONOCHROME

All images: Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, Induro GIT 404XL tripod, RRS BH-55 ball head,

MISSISSIPPI RIVER STORIES 2019 #01 - ATTEMPT TO GET THE BIG ONE

American White Pelican, Mississippi River, Mud Lake Marina, Iowa

It is an easy task to make a photo of the American White Pelican while they swim almost motionless against the current in the Mississippi River or just drift along. It is a perfect bird  to practice shooting techniques and proper long lens handling. If nothing else, our story telling with the final photo can always be about a majestic bird that is at home on the Mississippi River.

Wednesday night I saw this guy messing with something big in the water and soon it became clear that the pelican tried to swallow a giant carp. I don’t think the carp was dead, but it was definitely somehow impaired and didn’t defend itself aggressively. The story ended with the pelican giving up, not able to swallow the big fish, even after he tried hard several times. What I saw beside the the bird trying to eat, was the gorgeous light, great colors, and the reflections on the water. Just another “Mississippi River Story” that needed to be told…

IN THE FRONT YARD STUDIO

Female Purple Finch

As already mentioned in my last blog post, Sunday was a gray day but I spent some time in the “front yard studio” and practiced long lens shooting technique. We have lots of birds visiting our feeders with all the snow on the ground at the moment and I tried a few new things. Shooting directly from the front porch is not a valid approach right now. Sure, some “regulars” will still come close but the majority of our feathered friends stays away. I have the camera on tripod inside the bedroom (like in a blind) and since it was not as cold as earlier in January, the window was open. Because the window is 8-9 feet away from the edge of the porch I loose that much distance to my subjects, the little birds on one of the perch branches. To make up for that I attached the 1.4 teleconverter to the Sigma 150-600 S, which gives me an effective focal length of 850 mm. The best f-stop I can get is f/9 and that bares quite a challenge. The good thing is that the Sigma 1.4 and 150-600 S combination still works with autofocus, as long some contrast is provided to focus on. Both birds, the female Purple Finch and the Dark-eyed Junco have lines with contrast on their chest to lock on the focus. No, it doesn’t always work, autofocus is slow and the birds never stay long in the same spot.

Dark-eyed Junco

The rest is easy. I use the MAGMOD MagBeam flash extender to throw a hint of light at the birds in order to overcome the gray overcast and bring out their colors. The Nikon D750 is capable of separating the exposure compensation for the ambient light and for the flash and after a few tests I found the right combinations.

Junco: camera +0.33EV, flash -3EV

Finch: camera -0.33 EV, flash -3EV

Having the roof of the porch for most of the distance between camera and the birds has the advantage that the flash will not hit a lot of snow flakes if used during snow fall. I like to have falling snow in the picture but too much reflection can ruin the shot.

Both images: Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM S, Sigma APO Teleconverter 1.4x EX DG, Induro GIT 404XL tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, MAGMOD MagBeam flash extender,    @ 850 mm, 1/200s, f/9, ISO200

OUT WEST #17

Grand Prismatic Spring, Yellowstone National Park, Wyoming, @ 200 mm

Yeah, we were back in Yellowstone National Park! It hasn’t lost anything of its magnificence since our last visits in 2005 and 2007. Our plan was to revisit places that we liked in particular, take it easy, and stay away from the big crowds whenever possible.

However, there was no way we would skip the Grand Prismatic Spring at Midway Geyser Basin, the world’s largest hot spring. The question was again the same as during previous visits, how to photograph this beautiful feature in the park? Before our trip to Yellowstone I looked at my old images from 2007 and tried to find out what I would like to do different. Going with a wide angle lens and including the elements of the touristic infrastructure, like boardwalk, road, etc., or a more intimate view without any manmade elements in the frame? At 16 mm focal length you can get the great memory shot you always wanted, especially if you have nice clouds in the sky. When the sun hit the right spot all the colors created by the bacteria in the hot water came to life, and at 200 mm focal length I got some shots I never made before and they became my new favorites.

Grand Prismatic Spring, @ 16 mm

CARING HOUSE WRENS

The young House Wrens in our nest box start peeking out of the hole in expectation to be fed by their parents. I have seen at least two young birds but it sounds like there might be three or even four in the nest. You never know for sure but they make a lot of noise. The parents bring insects, grasshoppers, caterpillars, and spiders a lot more frequently than a week ago, a sure sign that the little guys will leave the nest shortly, possibly during the next two or three days. This is the second successful brood this summer for the wrens. We had more than just this one couple around here. The males are fierce competitors for nest holes and don’t like other birds near their chosen nest site. We found a destroyed and abandoned nest of the Northern Cardinals in a shrub between our two nest boxes earlier this summer, most likely the work of a House Wren.

This male with the spider in its bill gave me a few seconds before it flew to the nest. The sun was hidden most of the time but the clouds opened up suddenly for a brief moment and changed the light pattern. Adjusting the exposure compensation quickly for the ambient light was key for this photo. Because of the overcast I had the flash above the lens in order to bring out the colors. It also helped when the sun came out to lower the contrast by filling in the shadows, like on the chest of the bird. Flash compensation was set to -4 (-2 in camera, -2 at the flash light). This low amount delivers just the extra hint of light without creating a second shadow.

Nikon D750, Sigma 150-600mm / f5-6.3 DG OS HSM S, Induro GIT 404XL tripod, Induro GHB2 gimbal head, Nikon SB 800 speed light, MAGMOD MagBeam flash extender

TOAD WITH HITCHHIKER

American Toad, garden pond on farm near Remsen, Iowa --------  

Nothing seems to be exciting or spectacular if a full grown American Toad climbs out off the small garden pond on a farm, unless you really try to appreciate its colors and texture against the dull background, and as a bonus recognize that an insect is hitchhiking on its back.

ESSENCE OF THE SEASON

Giant Swallowtail -------

Summer seems to be in its zenith and I try to catch the essence of this season in light and colors. The good old Sigma 150, f/2.8 macro lens is still a perfect tool for this kind of shooting. To get the best out of it I shoot wide open most of the time, rendering the background with a nice bokeh. Focus has to be on the spot (eye and body) due to the shallow depth of field at f/2.8 or f/3.2. The butterflies have never a quiet moment and continuous-servo autofocus is the only way to get a sharp image.

WORKING WITH LUMINAR

Lake Superior, Pukaskwa National Park, Ontario, Canada ----

We have this typical end-of-July-weather right now, very warm and way to humid for my taste. I haven’t been out much for photography this week, except for the daily “yard exercise” with the birds that hang around the house. But of course, I don’t want to post about our house wrens or hummingbirds every other day.

About a month ago I reported about trying out Luminar from Macphun for the post process in my landscape photography. Well, I really like it so far and decided to use it as a Photoshop plug-in instead of the old NIK collection, that will not be supported by Google in the future anymore. The Macphun website has lots of short videos that make it easy to learn about all the different filters and techniques. Luckily there are enough untouched pictures on my hard drive to explore the ins and outs of Luminar. And this is what I do right now to beat the “hot-summer-blues”…😊

This photo was made on a dark and stormy day in Pukaskwa National Park, Ontario, Canada. Lake Superior was in a “bad mood” that day back in September 2016. The dominant color was gray, and all the other colors appeared muted. Luminar helps to improve the tonal contrast and reveal the colors as they appeared in reality. I still have a long way to go with this new software but I like what it does for my landscape photography so far.

WHEN THE FOG LIFTS

Here is another photo from my brief shoot yesterday morning at the Heritage Pond Dubuque. The ice in the foreground covers actually another small pond just north of the parking lot and next to the Heritage Trail. As the fog started lifting and the sun came through, all the gray seemed to disappear. Within a couple minutes the colors came to life, telling the story about that the days of winter may be already numbered. The hawk, sitting high up in the tree, wasn’t planned but became part of the story.

The ice on the pond doesn’t really reflect how warm it was here during the last few days. I saw 23ºC (73ºF) today on the thermometer and we are still in February. However, there is a “blizzard watch” for parts of Iowa in the forecast for tomorrow and things can still change back to ‘real’ winter quickly…

NATURAL LIGHT AT ITS BEST

Male Common Merganser, Mississippi River, Le Claire, Iowa

I felt a little like an oddball among all the photographers that gathered yesterday in Le Claire, Iowa. Almost everybody there seemed to focus on one subject only, the eagles. This is somehow understandable and I’m happy for everybody that travels to Iowa to see a Bald Eagle, maybe for the first time in their life. The return of the Bald Eagle is a great success story in North America. However, only a few people realized that we had a great light situation coming up, very beneficial for every bird that swims on the water, as the sun got lower and lower in the late afternoon. The presence of hundreds of mergansers, ducks, pelicans, and other waterfowl on the water right in front of us was probably noticed by some, but only a few people took advantage of the high quality natural light. To make this a little more clear, the Bald Eagles sit quite often in a tree and not much happens for long periods of time. Everybody waits for them to get into hunting and fishing mood and if one the eagles takes off and soars overhead, the rattle of camera shutters is the dominant noise in the air. At the other hand, there is a constant battle going on between gulls, ducks, mergansers, and pelicans about the best fishing grounds and none of these birds come ever to a stand still. Combined with just gorgeous light from the low sitting sun we had an abundance of photo opportunities even if the eagles decided to have a break.

My observations from previous years proved that the Common Mergansers can be found always close to the edge of open water. A little further north ice had jammed up the Mississippi, but here in Le Claire, Iowa was enough open water and plenty of fish for them to have a happy life. I shoot birds quite often with the support of flash light to overcome the gray of an overcast and bring out the colors of their feathers. Yesterday, with this gorgeous natural light in the late afternoon I didn’t even think about to get the flash light out of the bag…

LEARNING IT THE HARD WAY

Sometimes magic happens when you are out there shooting. This evening at Ice Harbor in Dubuque the low sun hit the last patch of ice under an angle that made it appear in a dark blue. In addition the warm colors of the building across the marina reflected in the open water between the broken floes. To make it even nicer, one of the numerous gulls landed in the right spot…

Well, it could have been a good photo, if the photographer would have paid attention to the settings in camera…!! For some reason I accidentally changed the picture quality from RAW to a low resolution JPEG. You may not see a big difference here in the blog, because the final jpg’s here are small, but good enough for posting them on the web. What’s out of consideration is a large, high quality print. The bad news is that I shot the whole day with the wrong settings. I guess some lessons can be learned only the hard way…😉