FROM ABOVE AND BELOW

When we brought family from Germany back to the O’Hare airport in Chicago earlier this year we spent a couple days in downtown Chicago, visiting the Field Museum, exploring the iconic architecture of the city, and of course eating some good food. Seeing Chicago from above is always fun and so we went up to the observation deck of the John Hancock Center on the 94th floor and enjoyed a 360 degree view over the city and far beyond.

This is usually a pretty busy place and a photo like this one seems to be impossible because there are always people pressing their noses against the windows. Being up there mid morning made the view to the south the least desirable due to back-lighting and haze. But when I saw this corner of the observation deck suddenly complete empty and the shadows of the windows on the floor, I knew I had a shot. Exposing for the highlights emphasized the contours of the Chicago skyline. The ice on Lake Michigan on the left side was the hottest spot in the picture and the rest rendered nicely silhouette-like. Although I didn’t take the time to set the preview in the viewfinder to black & white, it was what I felt was right for this photo and converting the RAW file to B&W was the logical consequence. The distorted reflections from the streets below on the glass above the windows make for an unusual effect.

With its X-bracing on the tower’s facade, 875 North Michigan Avenue, former John Hancock Center, is easy to identify among Chicago’s skyscrapers.

MAY THE LIGHT BE IN YOUR FAVOR

Left: 311 South Wacker / Right: Willis Tower (former Sears Tower), Chicago, Illinois

The Field Museum in Chicago doesn’t have a lot of windows, but when I walked by at one of them, the setting sun touched the sky scrapers of the skyline downtown. Moments like that don’t last very long and I took the shot through the glass quickly.

I wish my friends and followers of the website all the best for 2025 and if you are a photographer, may the light be always in your favor!

ONLY IN VEGAS

The Sphere - Las Vegas

It has been a busy week and I spent it in Las Vegas, Nevada where the annual trade show of the printing industry took place. I’m not really interested in the activities Vegas is known for, however, while walking back to the hotel after dinner one night I found an unobstructed view to the SPHERE, the music and entertainment arena and the world’s largest spherical structure. I recorded some footage of the impressive display at night and I hope you enjoy it.

Photo and videos: Nikon Z6II, Nikkor Z 24-70, f/4 S

ENEMIES OF CONFUSION

Enemies of Confusion, at Smokestack, downtown Dubuque, Iowa

Last Friday the Enemies of Confusion, a local band from Dubuque, Iowa, had a record release party in the ”Smokestack”, an event bar downtown Dubuque. Their new album PUBLIC ADDRESS is now officially out and their well-crafted, garage rock and blues infused Rock ’n’ Roll, with a great guitar sound, rocked the house that night. I know two members of the band and wanted to see them since a long time.

Brandon Duccini, vocals, guitar

I shot part of the band already in 2007, when they were the All-Night-Riders and backing band of acclaimed blues player James Kind. It was only my second concert photography shooting ever and I had fun looking at some of the old pictures. My style today is much different and people that know only my wildlife and landscape work may ask, what the heck is he doing here…?

Ray Otis, drums, backing vocals

I don’t make images of people very often, but I enjoy shooting photos of artists, and in particular musicians. I asked myself, why is that, and I guess it is because they come back with an expression in their face, or a certain gesture during their performance without being asked for it. The picture comes to you, if you just wait for the right moments…

Bryan Freisinger, vocals, guitar

My technical approach for that night was simple. The camera was set to monochrome so I see already in the viewfinder the outcome of a desired picture. If I would later change my mind and want still a color version of a particular image, no problem, the RAW data of the picture still hold all color information. My monochrome pre-setting in camera includes also a high contrast setting, a look I like in concert photography. I came with only one lens, the Nikon Nikkor AFS 70-200, f/4, and I shot the whole night wide open with f/4. Almost all pictures that night were shot between ISO 4000 and 10000, a few images even at ISO 32000. Sure, with the limited light in a concert venue there is digital noise introduced to each image with such high ISO settings. Thanks to camera technology and Topaz De-Noise reduction this is all manageable, something I would have never written a few years ago. Alright, let’s forget all the technical blah-blah and I hope you get a kick out of this selection of some of my favorite photos from the ENEMIES OF CONFUSION record release party.

Tony Moline, bass, backing vocals

This young man, the nephew of one of the band members, had his chance during the first break the band took after about an hour. His solo on the drums got him some big applause   by the audience.

Brandon and Bryan

Is that the manager behind the band, thinking, I can do that better…? 😉

LIGHT AND SHADOWS

After another week of travel it was a pure pleasure to spend a few hours in and around one of my favorite places in Iowa’s capital, the Des Moines Art Center. It is home of a great collection of 20th and 21st century art. I have been there numerous times since 1997 and my fascination for the architecture of their three buildings and the art on display still continues.

It was a sunny day and I looked for opportunities to work with light and shadows that emphasize the architecture and art pieces of the museum’s collection. The visit inside of the art center was followed by a walk in Greenwood Park that surrounds the complex. And there I found more places enhanced by light and shadow. I hope you enjoy my selection of images that inspired me to press the shutter release of the camera.

All photos: Nikon Z6II, Nikkor Z 24-70, f/4 S

Zig II, 1961, David Smith (American, 1906-1965), Painted steel

Three Cairns, 2002, Andy Goldsworthy (British, born 1956), Iowa Limestone, lead, steel

HOW MUCH POST PROCESSING?

Buildings right to left: partly only Marina City (architect: Bertrand Goldberg), IBM Building (architect: Mies Van der Rohe), Trump International Hotel & Tower

Tonight I gave a little presentation at the meeting of the Dubuque Camera Club about how I process most of my wildlife photos. Beside necessary adjustments, like noise reduction, RAW sharpening, spot removal, or maybe sometimes some cropping, only small tweaks are applied to get the best out of the RAW file. I don’t change much at all on the wildlife. If the picture is not sharp or totally wrong exposed, the photo lands in the trash can or will never be published if I want to keep it for documentary reasons in the picture library.

A lot more efforts can go into a photo like this shot from last week in downtown Chicago. The photo was made through the glass of the hotel window (we were only on the 9th floor but you can’t open these windows) and it took some efforts to overcome all the challenges. From the distortion of the glass and the dust on the window, to the perspective that you can’t really change much while shooting from a hotel room, I may use all the great tools of Adobe Lightroom or Adobe Camera RAW to end up with a usable image.

”Transform” was used to correct perspective problems created by the lens, ”Dehaze” for eliminating the effect of a not so clean window, and other adjustments to enhance contrast or color contrast. The limits are only set by your own vision for the final image.

LESS IS MORE…

I can’t deny that I love architecture that is comprised by the use of glass and steel. Ludwig Mies van der Rohe, a German-American architect and pioneer of modern architecture has created several iconic buildings in Chicago after his emigration from the Nazi regime in Germany to the United States. I do not know who designed this modern apartment complex in downtown Chicago, but the design was maybe influenced by Mies van der Rohe’s architectural mission and principles. I loved what I saw when I had the building in the viewfinder of my camera and in particular the reflections of the clouds on the glass surfaces and the contrasty appearance overall. I admit, it was a ”shot from the hip” while walking from the hotel to a favorite dinner restaurant yesterday evening. There was a lot of blue in the frame, from the sky and bounced back from the glass surfaces. Mies van der Rohe is often associated with the fondness of the aphorism "less is more” (source: Wikipedia), and that’s what I remembered when I decided to render the image in B&W. It just reflects my own vision of modern architecture photography.

I know, some friends and followers of my blog asked, what’s going on, where are your latest photos about nature at spring time? Well, the duties of my regular job keep me very busy at the moment and a home improvement project took the rest of the time during the last couple weeks. Some new things will come soon, so please stay tuned…

COMBINING BOTH PASSIONS

VINYL RECORD SHELF THROUGH THE GLASS

Beside photography I enjoy listening to music from my collection of vinyl records, especially after return from a business trip or a long drive by car. Last night I just combined both passions. While the music of Fela Ransome Kuti’s LP ”Open & Close” from 1970 filled the room, I lined up my glass with the edge of the rug and the table and looked for a nice magnification effect of the vinyl records in the glass. Some new LED light bulbs in the lamps above the record shelf create a different light intensity than before and it gave me the idea for this photo.

A FAVORITE VIEW

Fischerpforte (Fisher gate), Bautzen, Germany, Nikon Z6II, Nikkor Z 24-70, f/4 S

I wasn’t sure if I get this shot sharp enough because a tripod wasn’t with me that evening in my home town Bautzen in Germany. This over 1000 years old city holds many interesting views for the photographer but this stairway from the Spree River up to the old town is among my favorites. The place where the photo was made is called Fischerpforte (Fisher gate). Back in the old days the fishermen living down below used these stairs to bring their fresh catch to the market in town. Part of the old city wall is visible at the right hand side and at the upper end of the stairs was a gate that could be closed in the matter of defense.

Back to the exposure time for this image. It was shot at ISO3200 but still required an exposure time of 0.4s. Despite image stabilization in cameras or lenses, stabile handholding and exhaling the air from the lungs is still mandatory for a sharp picture at night time.

WORLD PHOTOGRAPHY DAY

Today is World Photography Day, the day whereby we pay tribute to the incredible art form that is photography. For me it’s a good reason to dig out some photos that were made earlier this year while spending time with good friends over in Germany. This was in the Margraviate of Brandenburg, a lovely area just north of Berlin. We went on a paddle trip with kayaks and stopped at a little lake shore bistro, where the fish they caught went right into the smoker and was served with fresh ”Brötchen”. Of course, we added some beer to the meal!

And that’s what I like to point out today. There is the image we make with an artistic intent and there is also the shots we make just for the memory of a great moment in life. Sometimes it can be all in one picture and sometimes it’s better to keep them separated. I’m sure all camera owners can tell a story about their photos today. Let’s keep it coming, not just on World Photography Day…!

LET’S USE THE CLOUDS

In the Millwork District, Dubuque, Iowa

I shot this industrial structure in the historic Millwork District of Dubuque, Iowa four years ago already and it did draw my attention again during the Millwork Night Market about a month ago. This time we had more drama with some dynamic clouds that made me set the camera to Black & White mode. I wanted to replicate a retro look for this photo and mimicked a red filter in camera already for a high contrast look. It’s the time of the year with a lot of moisture in the air and with it come the clouds. Well, let’s just use them! It begs the question, what is the subject here, the metal structure or the clouds? You tell me…

’WORK NIGHT’ WITH THE CAMERA CLUB

HOURGLASS / MONOCHROME

Monday evening we had a ’Work Night’ during the meeting with the Dubuque Camera Club. The club has acquired a set of three continuous LED lights and the members had a chance to try them out and play with different functions, color temperatures, and settings. It was a lot of fun and very interesting to see all the different approaches to work with a few items that some members had provided for this shooting. We can now use these lights for our own little and bigger projects.

The hourglass above is placed on a reflecting plate and was my favorite subject. At a serious product shooting you normally would avoid the reflections of the light sources on the glass walls, but I thought it added an interesting artsy-fartsy effect.

RUBIC CUBE / COLOR

The RUBIC cube was also very popular. The star effect on the glass plate is the reflection from an umbrella that was mounted in front of an LED light. The key for this shot was to hide the knob in the center of the umbrella behind the cube. The black & white version is actually the same photo as the color image above. I played with different B&W filters in Adobe Lightroom and was once more amazed how different the photo was rendered with each filter effect, even without any changes of exposure values. Back in the days I shot a lot with black and white film, but now, many years later I just start to understand what it really can do for my photography.

It was an interesting evening and interacting with the other members of the club during the shooting was a lot of fun. Thank you to Ron Tigges for preparing this and the set-up!

RUBIC CUBE / MONOCHROME

All images: Nikon Z6II, Nikon FTZ adapter, Nikon Nikkor AF-S 70-200mm, Induro GIT 404XL tripod, RRS BH-55 ball head,

MARVELOUS ARCHITECTURE

Milwaukee Art Museum

It doesn’t happen very often that I have the chance and time to visit an architectural landmark during one of my business trips. However, a week ago I was able to stop at the Milwaukee Art Museum while traveling with a German business friend. I knew the museum was closed that day but the design by Eero Saarinen, David Kahler, and Santiago Calatrava has always fascinated me and there are many architectural highlights to admire while walking around the building complex.

It was the first time that I photographed the museum with snow on the ground and not a single cloud in the sky. While in most of my landscape photography I’m not thrilled about a bald blue sky, here I like the fact because the beautiful lines of Calatrava’s Quadracci Pavilion stand out nicely against the background. The Burke Brise Soleil, a moveable sunscreen with a 66-meter wingspan was unfortunately folded down during our short visit.

View towards Lake Michigan and across the Reimann bridge, a pedestrian suspension bridge that connects the museum to the city.

Milwaukee Downtown, looking west from the same viewpoint as in the picture above.

All images: Nikon Z6II, Nikkor Z 24-70, f/4 S,

DUBUQUE NIGHT OF LIGHTS

Dubuque historic Star Brewery building at Night of Lights event

Tonight was the inaugural event of Night of Lights in Dubuque, Iowa. Businesses and private homes in and near Downtown Dubuque were asked to leave the lights on for a few hours. Painters and photographers tried to capture the beauty of this event during the early night hours.

I was out of town the last couple of days and returned late from a business trip this evening. With not too much time on hand I drove straight to the old Dubuque Star Brewery building, a historic landmark next to the Mississippi River. Stone Cliff Winery has a wonderful tasting room in the historic brewery building and their wine garden was nicely illuminated. I guess all possible lights were on and with the location about ready to be closed, I had nobody walking through the scene during a 20 seconds exposure time for this photo. The metal sculpture in the foreground, “Flowing Connections” by artist Matt Moyer, is part of the annual ART ON THE RIVER exhibit, located along the Mississippi Riverwalk. I wished I had more time to check out some other locations in town, but maybe next year…!!

Nikon Z6II, Nikkor Z 24-70, f/4 S, GITZO tripod GT2931 Basalt, KIRK BH-3 ball head, VELLO wired remote switch,    @ 24mm, 20 s, f/18, ISO 100