Four years in the journey...

I realized a few days ago that I missed the 4th anniversary of having this blog online. Not a big deal but it’s almost shocking how time flies by. I wasn’t really sure what I tried to accomplish in 2010 when I started the blog. I guess I just tried to do something different than just publishing photos on a public website like the German “fotocommunity” or pbase. There is nothing wrong with that and I still do the pbase thing. I had the feeling the time was right to do something more specific, to tell stories with my photos, and most important to share my adventures in the great outdoors, share wildlife encounters or good locations for photography. As deeper as I dived into the whole thing as more I understood that my photos can create awareness about the vulnerability of our environment and wildlife. Reading many other photography blogs and writing my own helped me to become a better photographer. It is a wonderful challenge to publish a new image that is better than the last one. It doesn’t always happen but I’m trying. The blog wouldn’t be anything without you my friends, who stop here and shave some time off to read and view my photos. I’m very thankful for that and for any comment, your messages or “thumb up” at Facebook. I like to thank my dear wife Joan, who is my best consultant and friend and helped me many times to find the right words, and to get better with my “Sauerkraut”-English. Happy Valentine's Day!

At Forest Gump's turning point

 

Last Saturday night I zapped through the programs on TV before I went to bed. Sure enough, one channel had Forest Gump with Tom Hanks playing. It seems there is always a TV channel that has this movie running on Saturday nights ;-). It happened to be that I just joined the movie where Forest Gump started running all across the United States. That includes the scene where he reached the east coast and turned around to run in the other direction. This scene was shot on the wooden bridge of Marshall Point Light in Maine, a place that we visited during our vacation tour in the fall of 2013.

This lighthouse is an iconic landmark and we were not the only people visiting as this image may imply. I don’t manipulate much in my photos but here I used “content aware fill”, a feature in Photoshop CC, to make five people disappear after only a couple minutes of work. Love it! It is a very useful tool for a situation like this.

2013 – Looking back, part 6

 

Without any doubt our vacation trip to the coast of Maine in October was something I really have looked forward to. It is a wonderful landscape with many facets and endless opportunities for photography. I have loved boats and harbors since I was a little boy. Watching the lobster boats going out or coming back from a catch and all the busy activities in a wharf still fascinate me. Getting up early or staying late in the evening is the key for catching the boats in best light.

Many of the lobster boats got very “colorful” names by their owners. I talked to this lobster man after he landed his catch. I told him I liked the name of his boat “JUST BITCHIN”. He said that it was his two sons who told him to name it this way, because that’s what he is doing all the time, “just bitchin”… I thought that was a funny little story, worth to be told here in the blog.

Going for the good light

It is this time of the year when I like to look back and see if there was any evolution in my photography. Working with the available light in low light situations was one of the things I wanted to focus on in 2013. I’m still not done reviewing all photos in detail from our trip to Maine this fall but I'm getting there. A day with heavy overcast and nothing but dull light, like we had today, is the perfect time for sitting in front of the computer and do nothing but post-processing. I dug up a few images that I like to share with you. I hope you enjoy.

The first one was made at 8AM, just after shooting a lighthouse all morning long (see my last post). The light was about to loose its “morning quality” but still good enough to work with the reflections on the water, the fall colors in the upper left corner, and the beauty of this little wharf.

Exposing strictly for the highlights by compensating with -1EV was the key for this image. All clutter in the water or elsewhere is left behind in the black that surrounds the boats. The photo tells the story that everybody shares the same dock, the lobster man who needs his dingy to go to his lobster boat as well as the tourist, who uses his kayak or canoe for recreation.

One of my favorite things to do in Maine was to watch the lobster boats going out very early in the morning. If the harbor faces East, like New Harbor, there is a good chance to photograph the boats while the first rays of sun light strike. It doesn’t get any better than this and there is no light for the next 10 hours that comes even close to this quality.

Every lobster man can identify his lobster traps by a unique color pattern on his buoys. After they are out of service the buoys are quite often used for decoration, like here at a restaurant right beside a lobster wharf. I left my dinner alone for a couple minutes when the last sun of the day made the colors even more pop on these old buoys.

Fine Art Gallery - "Pemaquid Point Lighthouse"

 

Back to our trip to the coast of Maine in October. Joan and I were up very early that day. We had scouted the location of Pemaquid Point Lighthouse the evening before and had already some good ideas about how to shoot the lighthouse in the morning. I have posted here before some photos of the lighthouse that were made around sunrise. The fact that there was almost no cloud in the sky forced me to rethink my ideas for some black and white photos. This building has some strong graphic elements, like the conical shape, the window, or the fence, and this is what I was going for in this image. This is my first approach but I have a lot more photos to choose from. I like to try different things before I consider to make a final print on paper. I like it but I don’t think I’m there yet…

Fine Art Gallery - "Sea Pride"

 

I knew immediately when we saw the “Sea Pride” sitting on the beach of Mackerel Cove, a bay on Bailey Island in Maine, that this was maybe a good image for Black & White. I made a few clicks but the clouds didn’t cooperate and were just a gray soup in the background. But the wind moved them around after a while and suddenly they opened up and let the blue sky shine through. This makes for a much more dramatic shot. I love the lines of this lobster boat and the image leaves room for speculation about the story why this boat was on the beach at the end of the bay and not in the water.

This might be my last post for a while. Tomorrow morning I’m flying to Germany for a family event and some business as well. I might be able to make some clicks but I’m not so sure about if there will be time to write a blog post… I’ll try, so please stay tuned! :-)

Let the details tell the visual story

 

We all get overwhelmed sometimes by the great “postcard views” or focus only on the iconic elements a particular shooting location has to offer. It is easy to overlook the details that surround a great place. Sometimes the light that hits those details has a  particular quality that makes them stand out and tell a visual story.

We have visited many of the lobster wharfs along the Maine coast. Beside eating there fresh lobster big time, we found countless opportunities to make the click. The detail shots I show you today are from different locations and different times of the day. There are some early morning and late evening shots and a couple were made completely in the shade. But they all got some quality light that brings the colors to life or pronounces the shape and suddenly a rough working place like a lobster wharf reveals a lot of beauty…

Pemaquid Point Lighthouse - a job for the graduated ND filter

 

I wrote in my post from October 16, 2013 that I may show more from Pemaquid Point Lighthouse in Maine. It is such a magic place that allows to shoot from many different angles during sunrise and sunset. Joan and I had the place well inspected the evening before and so I knew exactly where I wanted to place my tripod for this image the next morning. Maine is in clear weather every day the first state that is hit by the morning sun in the United States. Not that it really matters but it was kind of interesting to think about that everybody at home in Iowa was still in the dark of the night, while we enjoyed the warmth of the first sun rays touching the continent. The layered rocks in the foreground are a wonderful mix of metamorphic and igneous rocks, with veins of quartz, and slabs of schist and gneiss.

I used a 3-stop graduated neutral density filter for the photo. This allows me to keep your eye on the lighthouse or maybe let it wander over the rocks in the foreground. The Schneider Optic 77 mm ND.9 SE filter became a very useful accessory during our journey along the Maine coast. I like the optical quality of this piece of glass much better than my older Cokin ND filters. They are made out of resin, which is not a problem, but I always had the feeling that they also shift the colors slightly. Finally, very little adjustments had to be made in Camera RAW for this image and this is how I want to go with my landscape and wildlife photography.

Back to the only stormy day

 

I like to come back to the only stormy day we had up in Maine at Acadia National Park. The rocky coast between Otter Cliff and Thunder Hole is a great place to watch the surf on a day like this. I used my polarizer in front of the lens and closed down the aperture to f/16 in order to extend the exposure time to 1/3 s. I know, you can make the water even more silky by using a neutral density filter but I just liked to keep some of the dynamic in the movement of the waves. I do have several ND filters in my bag but I was happy with the results and in particular with this image. It was actually the last shot I made after almost two hours of having a blast on these cliffs. It was gray most of the time but the light just picked up some quality for a few minutes at the end of the day. I hope you enjoy.

Great subject for overcast day

 

We drove by several times at the Arched Bridge in Somesville on Desert Island, Maine. It is a busy place because most tourists like to visit and snap a picture. We chose to stop there on the only "bad weather day". This was actually a good decision. First the light on this wonderful bridge and the little museum was very soft because of the heavy overcast, and second, there were a lot less people than we have seen on other days. With other words, it wasn't so difficult to make an image without someone in the frame. The small village of Somesville is a National Historic District and the bridge is not the only interesting structure there. Overall we saw very few houses in Maine that were not in good shape. If you go there, don't miss to have a look in the little museum. It is a nice display of the local history.

The top image needs actually a little more head room above the roof. I have a few more photos of the bridge without that little flaw, but really liked the reflections on the water in this one the best. Walking around and working the subject a little more led finally to photos two and three. They leave no doubt about what time of the season we visited this nice piece of architecture, and I can tell you, I didn't miss the sun a bit this day...